Sunday, July 16, 2023

Things in the World - A father's worries collide with a terror from the night.


 

A father sits alone in his backyard. Half a moon hangs high above him with twinkling accessories. Before him, hugged by rocks of his own picking, burns a small, but warm fire. The afterglow of fresh cut grass swims in the cooling air alongside the fire’s smoke. His nose begs him to look at the memories proudly dropped at his feet: memories of other cooling nights, other warm fires, and of long-gone places he could slip into. Instead, he stares into the dark of his back field watching living Christmas lights bob and drift and blink to make more lights.

 

He is troubled.

 

A father sits next to a fire on the cusp of night, looking and listening. There are…things out there. Things was the word his wife observed him using more and more over the years. There were things in the world he didn’t know what to do about. Not nameless things. Very the opposite. He learned and studied great stacks of names, towers of names, and their meanings. It didn’t help. The names had no end, and the meanings were many fold more. So, without a mythos or legend, they were just things.

 

It’s all gotten so big, he thinks.

 

Trespassing universes. Most were small, passing, and harmless. An eye dropper’s worth were dazzling. The remaining few were actively, righteously the opposite of harmless. Is any percentage small when dealing in billions? Too much to process. Too much to know. Too much to stay ahead of. Too much to plan for. Too many futures to cull. Too many roads to guard. Too many shepherds seeking sheep. How can I protect them?

 

He pulls in a deep breath, but tight chest and shoulders push back.

 

I can’t make it any smaller. I try and try, but I can’t. I’m not built that way. My brain tries to fit the world into my little human skull, like a giant butterfly in a thimble-sized killing jar. I envy people who don’t know the gravity of it. His nose pulls up more memories. Doing its job, he knows. Old senses hold old maps. Present pressures pushing him to past escapes. That’s part of this, isn’t it? Escaping forwards.

 

The future lurks behind the present, peeking out from pockets of nothingness and yetness, shyly craving attention.

 

He remembers painting mental landscapes with brushes of bustling domed cities in the Sea of Tranquility and splashes of flying cars. He’s glad his younger self is safe from the quiet moon. He didn’t want to know what betrayal the breathing boy would feel from the present world. The present is a seed that grows to harvest every moment. He thinks he read that somewhere. His future peeks out from behind the pauses of low words and wall-muffled laughter coming from inside his house. Listening to his family, he can nearly smell it. No, wait, he did smell something. It matched nothing he knew. A new scent to the yard. THEIR yard. His memories slink back from the scent. Fine. You are The Future, he decides. I give you a label. The scent slips away. Alone, again, seconds mature into minutes.

 

Memories. Escapism. What-ifs. Escapism. A growing parade of non-solutions. Escapism. Escaping the things.

 

<snap> The scent slips back with an announcement. The run-on thoughts are given a period. <snap> He stands, his back briefly complaining like a worn folding chair. Something not small is moving through the brush on the border of yard and field. All age washes away.

 

HEY BEAR! (CLAP CLAP CLAP) HEY BEAR! KEEP MOVING AND I DON’T CALL SOMEONE NEEDING A RUG! GO ON! GET FUCKED!

 

<CRACK> The thing in the dark now has a point and place in his head. He turns toward the sound, side-stepping to put fire between he and it. He calculates the distance to the side door weighing options. It was close, but he was in HIS yard and IT was coming from HIS field. At night he could stroll between its pines with no moon or lamp. This was HIS space. Whatever the animal was, it needed to learn that. He had no desire to run. Yet.

 

A monster steps out of the darkness.

 

The man looks at it. He looks right at it. It steps closer. Beneath what might be or could be its foot rises a dim, distant bell-like sound, as if it walked all the echoing Halls of Hallow Earth at once. Another step and the bells. The father…laughs! The monster stops. What are its eyes fall upon the man, save perhaps a glance at the house behind him. The father, smiling wide, holds the inhuman glare pressed upon him. “Look at you. LOOK AT YOU! You’re a horror movie! You’re impossible! Worse! You’re not! I am in the maw of modernity, racking my brain on how I can protect my family from insanity and a MONSTER strides out of the night. Fuck me.”

 

The man steps past the fire toward the beast.

 

“Or not. Wrestling with existence, I am gifted a flesh terror. A finite thing. You have a scent. You have weight to snap branches. You have height and width and length. Doomed by dimensions, it will be known by the numbers it carries. We have that in common, I suppose.”

 

The monster stares down at the man, its two wide eyes cloudy grey like hazy moons. Its breath was the scent, the man realizes. Up close it smelled of Jasmine, pungent rain-soaked stone, and endings.

 

“Or, are you magical, great horror? Do the walls of the world bow to you? Are you the local Grendel? Are you real? I hope for both our sakes you’re not. Do you know what life insurance is, great terror? Kill me and my family is set. Make it messy and these fields and woods will flood. Spill blood and the world falls upon you. Claws and fangs? Poor stupid thing is begging for the taxidermist. Give us a growl!”

 

The monster growls a sound new to all the ears and stomachs in the world. The man’s heart trembles. His mind blinks as modernity, primate, and lizard all try walking away at once. The man haltingly, unwillingly steps back.

 

“That…that was terrifying. Deep body terrifying. Clarity terror, yes. Yes, I must give you that. God, please don’t do that again,” he sputters, almost tripping over the fire’s stone ring. “Okay, okay do you know what sounds waves are, growling grave? Hear those barking dogs? Two security systems just lit up on either side of us. Again, that was Old Testament awful, so please, please never do that again, but I truly hope you are not real. Imagine the world finally knowing of monsters. What a tragically brief cure. It’s sad what they would do to you. Use you to hurt in ways your claws couldn’t dream of. Twisted and snapped by mobs screaming you are theirs alone. You wouldn’t know yourself. Monster to monetized. Miracle to meme. That’s your future.”

 

Steadying himself, the man assesses the signs and omens for what might come next. The monster, too, watches. The man sees what the thing sees.

 

“Goddamn it, I can’t turn it off. That’s the world I see. Fine! Tell me the future then, monster. Be useful. Yesterday I gave my children advice. Solid words on morals that really helped them. But…but, that was yesterday. Look at the future, tell me if my words are going to stab them in the back in five years or fifty. Tell me if they are going to trust the wrong person so I can warn them. Tell me if I will always be here for my wife. Tell me if any of the worry planning, or a single second of a hundred sleepless nights worked for something. I’m so fucking tired, I don’t know what I have left in me. Tell me, damn you! Answer me! You’re a monster, live your name and instruct!

 

A second lost its grip. Another fell behind it. Another. Another. Another. All lost. Not in silence or thought. Truly Lost.

 

To hell with you then, Monster! If you’re real, you’re nothing! You’re just lungs that need to stop. You’re a heart that needs to be pressed. Muscles that need to be peeled away. Your eyes will end on an auction block, monster. You’re not a system. You’re not pressure. You’re not even an insult. You? You’re the second thing to ever live. You are the simplest, most honest thing that ever was. You’re nothing, oh measurable beast. Here’s your box. Climb in.

 

The beast looks up at the father, and he down at it.

 

He sighs as a sudden shudder of tension escapes his shoulders. It passes after a moment. The Father inhales a deep fill of sweet evening air. He pulls back his words, pulling and plucking meaning, arranging then playfully rearranging them to make and see new layers. He runs and climbs in thought. Finally, and eventually, he remembers the other. The father sees his words sank painfully deep in the creature’s face. So small, he thinks. “Come on, sit with me for a bit by the fire.” The father softly pats the edge of the deck next to him. “Don’t worry,” he says to the nightmare. “I won’t let any of that happen to you.’

 

So, they sit, the Father and the small Thing from the dark.

 

They sit together at a warm oasis on the cusp of night looking and listening. Winged lightning blinked their life away for it was a good life. The stars kept to themselves. The Halls below gathered dust. Yes, there are things out there, but sometimes there’s one less.

Tuesday, May 16, 2023

Upstate Gold - An Upstate New York spin on a Californian one-hit wonder

- A tip of the hat, a nod and a wink to Upstate New York. Some (hopefully) amusing few minutes for your day. Enjoy. -

The idea popped into my head and refused to leave. Build a version of John Stewart's 1979 hit "Gold" around a patently better geographical area: Upstate New York. I'm not saying it was a GOOD idea, but it was FUN idea. "Upstate Gold". Listen to the original (convenient YouTube link below, you are very welcome) while reading my lyrics. You'll get the idea. I hope you have some fun with it, too. Three helpful points and one confession before we begin. One. In case you were unaware, a parlor is the dedicated area on a dairy farm where milking happens. Two. WIRY (pronounced wiry) is radio station in Plattsburgh, NY which has been on the air since January 30th, 1950. Three. Stewart's is a very popular regional chain of gas station/convenience stores. Confession. My wife is an Adirondack girl, so I may be a tad biased.
 

Upstate Gold
by Sam Girdich

When the lights go down in an Upstate New York town
People aren’t in for the evening
They jump into their car and use Stewart’s as their bar
Hot Michigans there for the eatin’
Drivin' down the Northway, eleven months of snow
The people up there know their history is gold 
 
Ah, my buddy Tom Pows he’s a-workin’ milkin’ cows
As his herd heads in to a parlor
He’s got rhythm in his hands as he's wiping down the cans
Sings to WIRY in the shower
Drivin' down the Northway, eleven months of snow
The people up there know their history is gold 
 
Ah, Adirondack girls are the greatest in the world
Each night a dream in the waiting
Singin' life to me I get high on melody
Each heart a home in the makin’
Drivin' down the Northway, eleven months of snow
The people up there know their history is gold
 
Drivin' down the Northway, eleven months of snow
The people up there know their history is gold 
 
When the lights go down in an Upstate NY town
People aren’t in for the evening
They jump into their car and use Stewart’s as their bar
Hot Michigans there for the eatin’
Drivin' down the Northway, eleven months of snow
The people up there know their history is gold 
 
Drivin' down the Northway, eleven months of snow
people up there know their history is gold
people up there know their history is gold
people up there know their history is gold
(Ooh, yeah)
people up there know their history is gold, is gold
people up there know their history is gold, is gold
people up there know their history is gold, is gold
(Gotta sing)
people up there know their history is gold, is gold
(Tappin' dem maple trees)
people up there know their history is gold, is gold
(shovelin’ out the front door)
people up there know their history is gold, is gold
 
 
John Stewart's "Gold" as found on YouTube. Lots of uploads to pick from there.
 

 

Be well!
Sam
 
 

Sunday, November 27, 2022

Ancient Aliens Live Tour 2022: A brief review of one stop

Ancient Aliens Live Tour 2022: A brief review of one stop.

 

Left to right. Nick Pope, Dr. Travis Taylor, William Henry, David Childress, and Giorgio Tsoukalos 

 

I had fun. The end.



November 20th, 2022. After a crawling, white knuckled drive head-on into a snow band, fingers and ass firmly clenched for dear life, we arrived. Proctor’s Theater. Good Lord, this had better be worth it.

First Observation: A rowdy, engaged crowd.

We saw aluminum, er, tin foil hats. People posed for pictures in front of a small inflatable(?) green alien. The bar was VERY busy. Not sure what I was expecting, but a concert-like atmosphere wasn’t it. The format was as follows. Nick Pope -a show regular and former British Ministry of Defense employee- asking prepared questions to the other speakers. Yes, the questions and answers were largely canned (with perhaps some improv), but that made sense. Events MUST have a format to conform to schedule. Anyone who has worked a road crew or even a college event crew knows events are planned. They must be. Nick would ask a random question from an established, printed list. The participants quickly reviewed their prepared answers from which to leap from. This allowed the production company to have clips at the ready. A few in the audience mistook this question/answer format as an invitation for group participation. Answers, theories, and buzz words were flung at the stage, sometimes completing sentences and thoughts the speakers needed no help finishing. Machu Picchu was a, “…FOUNDRY!” Alien bases are, “…UNDERWATER!” “THEY lied!” And so on. There was one hush-toned, “Tell her I am sorry I spilled beer on her seat.” That one was obviously not aimed at the stage, but naïve Sam still didn’t expect to hear it. Folly on me. Overall, positive energy combined with an invested audience. Nice.


Second Observation: The investigators behaved the same in person as they appeared after filming.

“It's easier to face the camera than life. As in the former the script is known.”
― 
Haresh Sippy

Seeing live the same body language, mannerisms, and expressions of thought seen on the show was refreshing. It is one thing to film a show with final product birthed from the hindsight of multiple takes and producers, and quite another to sit bare before a live audience. The speakers were relaxed. They were amongst fans, true, but not sheep. Strong opinions roamed the hall, remember. The speakers were loose shouldered. They appeared to honestly and openly reiterate their answers. They appeared to genuinely believe what they were saying. The words were not for dramatic affect. I liked that.



Third Observation: YOU are responsible for your thoughts and beliefs. 

The show ended only after each participant gave a closing thought. Across the board the messages were: ‘Keep learning. Read more. Don’t believe everything you see or hear. Hold to your educated beliefs until the facts say otherwise. We (on stage) respect each other, but even we do not agree 100% with each other.’

Let that sink in. Let the speakers, subject matter, and general level of public ridicule of those speakers coalesce. I asked myself if I was being snookered by those who know promoting apparent skepticism is in their economic self-interest. Hadn’t Robert Anton Wilson taught us to ponder daily if we were Useful Idiots at any given movement? So, I asked. Nope. Seemed genuine. In summary to Observation Three: “Their culture passed forever into to the unlit, dusty halls of history from a desire for facts and the pursuit of truth.” said no historian ever. A sprinkle of hyperbole, I know. Let a guy dream about what we could be. I watched a lot of Trek growing up.

Now we shall speak of final thoughts in the rapid, modern fashion. Were the time and resources invested to attend “Ancient Aliens Live” worth it? For me, yes. Did I learn anything new? Two things. That Dr, Travis Taylor was a leading (if not albeit briefly “chief”) scientist on the U.S. government’s Unidentified Aerial Phenomena Task Force. Interesting. Also, the creator of "Ancient Aliens" Kevin Burns was a local from Niskayuna, NY. He went to high school about three miles from our venue. Neat. Do I agree with the general Paleo-SETI theory? Generally, no. Is it possible? Yes. Why yes? Because the Ancient Alien theory smacks a bit too close to the meddling us humans do. Do I think we have a grasp on remote human history? Good Lord, no. I hum a more Graham Hancock tune there. Should the unwashed persist with vexing questions to all the mainstreams? Yes. A thousand times, yes. I am reminded of Leonard Nimoy’s rendition of Ehrmann’s poem “Desiderata.” “You are a child of the universe, no less than the trees and the stars; you have a right to be here.” You have a right and duty to question your world, just as you also have a duty and responsibility learn and grow from your decisions.

Be questioning, my friends. Of Yourself and the World around you.

 Oh yeah! One more thing...


I bought a pin! Huzzah! It is a Quimbaya or Golden Flyer. Some say it represents a plane as seen in ancient times (ergo the group pic above) by the Quimbaya peoples in South America. All the cool UFO, er, UAP kids wear one.

Be well.

Sam

 

Saturday, May 28, 2022

Awake at a Wake - in which four people sharing a long history find themselves in a funeral parlor -

 


Awake at a Wake


Jason:  You think this is what Heaven smells like?

Job:  What?

Jason:  This. All this. Jason said, pointing around the small funeral home.

Job:  No, dumbass.  This is what a telephone pole at 80 miles an hour smells like. Jesus, the shit you say.

Jason:  I’m just wondering, that’s all.

Job:  Wonder harder ‘cause I doubt anyone here is goin’ to find out.

Jason:  That ain’t a nice thing to say, Job. You don’t know that.

Job:  I know lots. That’s the problem.

Jason:  You didn’t know Jacob or them people was goin’ to die.

Job:  Nope. That I did not. I would have driven to his house and rung his neck if I did. It ain’t right. It just ain’t right.

Jason:  It ain’t. I’m sorry. I shouldn’t have said that.

Job:  sigh… Don’t apologize for being human. Apologize for something you can control.

Jason:  I can control my mouth.

Job:  I stand by my previous statement.

Jason:  Do you think he sees us? looking up All sitting here talking about him and what happened?

Job:  I hope so. I hope he hears every word and thought not fit for polite company.

Jason:  He was our friend, Job. He wasn’t perfect, like anyone. He saved your…

Job:  Shut up.

Jason:  I’m just saying maybe we should…

Job:  I know what you’re saying and shut it up. Ain’t nothing he did for me or the fucking Pope on the moon makes up for what happened.

Job looks down

Job:  You hear me, Jacob? Your soul didn’t have the bank to pay for what you did, selfish bastard. You goddamn selfish bastard!

Jason:  Keep it down. People are looking.

Job:  Are they? Are they looking? Good ‘cause I got a goddamn mirror for every one of them. I’m not playing the game, Jacob! Flowers and a box ain’t enough. Carry your own ass to the hole. I ain’t doing it.

The people looked at Job. Job looked back. They both turned away.

Job:  It ain’t right.

Jason:  Nothing ever is.

Job:  That’s a goddamn lie.

A moment disguised as silence slipped past them. Almost. Job raised his head against the weight of a shadow falling against him.

Job:  Christ’s balls, just perfect.

Mary:  There’s the man I married.

Job:  The best three weeks of your life, Mary. What are you doing here?

Mary:  Why does anyone go to a funeral, Job. As for you, I followed the looks of disappointment. Poof. There you were. Constant as the NorthStar.

Jason stands.

Jason:  It’s been a while, Mare, you look good, real good. Here, take my seat.

Mary:  Thank you, Jason. I think I will. While you’re up, be a darling and get me a glass of water? I think I saw a cooler when I first came in.

Jason:  Sure. Sure.

Off he went.

Mary:  How are you, Job?

Job:  ...Bad…Messed up…Little pieces are bouncing around in my head and I can’t tell where they belong. Forgive the honest answer.

Mary:  I’ll let it go this time.

A small piece of chuckle escapes his mouth.

Mary:  You know you’re not the only reason I came, but I will leave your side if you want.   

Job:  No, I don’t want that. Do you?

Mary:  No.

Job:  Well, we were able to make a funeral about us so I guess not all is lost, eh?

An interruption.

Jason:  I’m real sorry, Mare, but I couldn’t find ya the water. Maybe you…

Mary:  Did you ask one of the attendants? Oh, I’m sure I saw a water cooler or someone carrying a cup. Maybe in a room I passed. I know you won’t let me down, Jason.

Jason:  I’ll get you fixed up, Mare. Don’t you worry none. Just like old times, huh? Sit tight, I’ll be right back.

Job looks at her.

Mary:  He brings it out in me. Never could figure why.

Job:  Too sweet. A little goes a long way…to the point of aversion.

Mary:  What do you suppose he did to deserve us?

Job:  Must have been bad, whatever it was. Really. Bad.

Mary:  All this honesty, my dear. It’s too attractive for a place like this.

Job:  No better place for honesty, a business of the dead. sigh Very clever, Mary. I see your game. Oh yes. Still quicker than a snake to the strike. And if I don’t want to talk about it, huh? What if I don’t want to talk about it at all? You two. I’d smell conspiracy if I didn’t know better.

Mary:  True. He cares, I just know you. That’s much worse. So, I know you’ve been talking and thinking about nothing else. You’re hurt. You’re looking to bloody anyone who isn’t lying in that closed box.

Job:  Don’t tell me what I am doing!

He glances up and at those close enough to be glanced at. Then back to her. Lowly he speaks. At first…

Job:  Damn you for thinking I need this right now. I don’t need pulling apart when I am holding on with my fucking fingernails. Damn you. HE DID WHAT HE DID BECAUSE HE WANTED TO AND HE DIDN’T HAVE THE FUCKING DECENCY TO MAKE SURE HE DIED ALONE! Unintended consequences. Unintended consequences be damned. A label makes it normal like a candy wrapper, does it?  Jesus above and below, those poor people. Damn you, Jacob. You should have known better. Damn you…You were better enough to know.

She leans in wrapping her arms around him. He stares unmoving at his hands. She feels low tremors deep within the statue. Seeds of tears. Stone stepping toward flesh. She looks at him. He at her. He sighs.

Jason:  I got your water, Mare. Cold like ya like. Searched high and low until I found it in the middle, like they say. Here. Oh. Did I miss something?

She leans back into her seat. Picks just the perfect smile.

Mary:  My angel in the wastelands. Thank you.

She takes the cup, sips, and sets it down.

Mary:  There are a few others I haven’t said my condolences to yet. It was nice seeing you, Jason. She stands. It’s nice seeing you, Job.

Jason:  It is nice seeing you, Mary. Say, do you still need to eat?

Mary:  I still have the need, yes.

Job:  I’ll find you before you go.

Mary:  …Good.

She walks away.

Jason:  Be seeing ya, Mare! See? You didn’t know that was going to happen. Ain’t that something. What if you two got back together? Don’t look at me that way. I’m saying what-if, not a step more. Still. Makes you wonder how an ‘if’ that wasn’t, suddenly was. Invisible hands and invisible strings, as they say. We should eat at that Italian place on Margaret Street Jacob liked. It’d be like a, ya know, soothing balm. Us in body and Jacob in spirit. All together again and all is well with the world like nothing happened.

Job plucks each word from the air placing them on a scale. It tips.

Job:  Jason my old friend, next time you cross the street? Don’t bother to look.

An End

 

 

Sunday, October 10, 2021

"The Haunting's House" is a sequel, I think. (spoliers)

 I think my mind slipped me a sequel. Let me explain.

The first work Mark and I created for Strongarm Labs was a comic called "The Haunting House". A nice, simple work rendered entirely in scratch board. The premise was two guys (obviously Mark and I to anyone who knew us) explore a reportedly haunted house while discussing the very concept of such a thing. Then, of course, things go south and our heroes get murdered to death. I was eaten by portraits. Mark's fate was left unseen but I promise you it was much, much worse. House, it turned out, was full of entities from haunted structures that had been torn down over the years. The fewer anchors left; the more entities populate the remaining.


 

 




Fourteen-years later I'm writing a piece about a haunted house from the perspective of the house. Nowhere in my thoughts or visuals did I picture our original work. 

And yet...and yet...

I'm talking about this then untitled piece to Mark when I start connecting dots. (Which sounds odd saying because I crafted it so I should already know it, right? Yeah. That's not how creativity works sometimes.) The first couple killed by the King could be couple mentioned in "The Haunting House". Both are filled with an array of entities which come from outside, or are drawn to, an existing structure. Both structures garner a lore of tragedy around them. There are differences in details, but what if that's only because our original duo had incomplete information? They could be among the later scattered victims of the King and its knights. Their family members could have watched the King burn. It all fits. 

And why the hell was I unable to come up with a title for this?! That's never a problem for me. This time? This...thing refused to tell me its name. Maybe because it already had one. An old name.

Fine. Have your name then.