Showing posts with label strongarm labs. Show all posts
Showing posts with label strongarm labs. Show all posts

Sunday, October 10, 2021

"The Haunting's House" is a sequel, I think. (spoliers)

 I think my mind slipped me a sequel. Let me explain.

The first work Mark and I created for Strongarm Labs was a comic called "The Haunting House". A nice, simple work rendered entirely in scratch board. The premise was two guys (obviously Mark and I to anyone who knew us) explore a reportedly haunted house while discussing the very concept of such a thing. Then, of course, things go south and our heroes get murdered to death. I was eaten by portraits. Mark's fate was left unseen but I promise you it was much, much worse. House, it turned out, was full of entities from haunted structures that had been torn down over the years. The fewer anchors left; the more entities populate the remaining.


 

 




Fourteen-years later I'm writing a piece about a haunted house from the perspective of the house. Nowhere in my thoughts or visuals did I picture our original work. 

And yet...and yet...

I'm talking about this then untitled piece to Mark when I start connecting dots. (Which sounds odd saying because I crafted it so I should already know it, right? Yeah. That's not how creativity works sometimes.) The first couple killed by the King could be couple mentioned in "The Haunting House". Both are filled with an array of entities which come from outside, or are drawn to, an existing structure. Both structures garner a lore of tragedy around them. There are differences in details, but what if that's only because our original duo had incomplete information? They could be among the later scattered victims of the King and its knights. Their family members could have watched the King burn. It all fits. 

And why the hell was I unable to come up with a title for this?! That's never a problem for me. This time? This...thing refused to tell me its name. Maybe because it already had one. An old name.

Fine. Have your name then.

 

Tuesday, March 29, 2016

(Not new anymore) NEW STUFF NEW STUFF NEW STUFF

New works are in the, eh, WORKS! 

Mark and I are not only tuning up new posters, like the one below, 



 but also a fun, quick to play board game.

More info soon...

(Link to follow) 
 
(2020 update. Game did not happen as planned. Life, am I right?)

Thursday, September 10, 2015

Local necropolis, er, cemetery. PART 2

Channeling the behavior of a proper card-carrying ghoul I recently returned to Greenridge Cemetery in Saratoga Springs to roam the rest of the property. I found an interesting mix of monuments. Let’s get to it.

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I think this is a tomb stone. It was flanked by typical headstones, each spaced the same distance from it. In other words, there was no empty space implying something else should have been there. It is possible it is a marker of some sort, but it had no companions. I saw no markings on it, either. Could be a hat or a board game piece. Maybe a candy dish. I should I have checked it for candy. Darn.

 

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I looked up expecting a giant ACME brand 16 ton weight, or to notice I was under large box propped up by a stick with a string tied to it. Sadly, there was nothing. The symbol actually refers to Heaven or The Heavens where the recently deceased is (supposedly) going.

 

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“Blessed are the dead who die in the Lord”

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Every inch is covered with small clusters of striations. The anchor symbol could mean the person was a sailor but it was often used as to mean hope or everlasting/eternal life.

 

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An Egyptian themed mausoleum.

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Mr. Batcheller and his wife Catharine had quite the life. He was a judge in Egypt who died in Paris. She died in Alexandria, Egypt. The final word on the door is fitting.

 

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This stone marks the resting place of a member of the fraternal order Woodmen of the World. This was a new one to me. The group is well known in the Midwest, but from what I read these graves are not common in the East like other fraternal groups.

 

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Discerning zombies trust Purdy’s Discount Wines and Liquors for when only the finest spirits will do.

 

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I like the columns and the rays of light carved out of the stone above the door.

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A closer look at the cross.

 

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Similar designs. I don’t know if the first stone has a base beneath it covered by soil. I try not to bother the residents. I do know it contains a medieval knight who holds a shield bearing the next clue to the Holy Grail. That much I am certain.

 

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This is the only monument I saw with death masks. If you are unfamiliar with the term, these busts are the faces of those buried here sculpted shortly after there death. The empty frame awaits a mask that will never come.

 

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Word on the street is William Worden was a soldier of the republic.

 

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And then we have this humble memorial. The plague indicates a soldier lies here too, but the simple crosses held no name I could see. Quite the contrast from William’s site.

 

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Yes, that is a giant clam shell. It’s covered with very faint writing. They looked names and dates, which would make sense. And finally…

 

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When Willoby’s broken body was found across the tracks on the edge of town the authorities called it a tragic accident. His family, however, knew better. Their son was murdered. They pleaded with the police to re-open the case but no one would listen to them. The ramblings of grieving parents, the townsfolk called it when the McMillan’s were out of earshot. The less forgiving accused them of pointing a finger of blame at every shadow in the hopes of catching the imagined criminal hiding within. They paid no bother to any of the whispered words carried unseen upon the wind. They knew the truth. A new stone was erected over their poor, shattered son. It carried the killer’s name and image for all to see. You can still see it today. “Willoby McMillan was killed by his engine.”

It says so right there.

Tuesday, September 1, 2015

Would you do us a kindness?

 

Like us on Facebook!

Here’s the link: SAL on FB

To say thanks, here’s a picture of Einstein holding an Einstein puppet circa 1931. Reportedly he saw a performance of a traveling troupe called The Yale Puppeteers and this photo somehow came to be afterward. source: www.openculture.com

einstein-puppet

Sunday, August 9, 2015

Running With Wolves

RUNNING WITH WOLVES, a new poster in the works from Strongarm Labs! Artwork and format is still being worked out. The characters are The Beast and Smith. The Beast is a large werewolf with a saw blade smile. Smith is a mid-level corporate manager. A large, thick door separates them.

Capture

The Beast: Come out, Smith. You’re overreacting.
Smith: YOU’RE TRYING TO EAT ME!
The Beast: Let’s not get ahead of ourselves. Killing comes first and then we’ll see what happens. Don’t let’s jump to conclusions.
Smith: Oh no, WE wouldn’t want that.
The Beast: Look at the situation objectively, said the beast. What options do you have? You’re prolonging the inevitable out of a purely emotional response. This is a classic ‘Smith flying off the handle’.
Smith recognized the phrase from his last performance review.

Smith: Really?! REALLY?!
The thick door shook for a moment as its latch made the first click of movement before stopping.

The Beast: See? That’s what I mean. Not that I don’t want you to come out.
Smith: Shut up!
The Beast: Watch your tone, Smith.
Smith: Or what? You’ll contact HR? Give me a verbal warning? 
The Beast: Fair enough, the beast agreed. Now, let me in.
Smith: NO! Go kill someone else in our department!
The Beast: Can’t do that, Smith. The board voted on this.
Silence…
The Beast: Smith? I can hear the pulse in your neck. Smell the lactic acid in your muscles. I know you’re still there.
Smith: Why me?
The Beast: The economy is changing. Cuts have to be made. We need team players who will toe the line. You’re too much of a lone wolf. Oh, dear. I inadvertently made a small joke.
The latch moved its full distance. Slowly the door opened. Smith stood stoic and unflinching in the presence of the beast.

Smith: What did the rest of my review say?
The beast considered Smith’s last request for a moment.

The Beast: It is against company policy to fully disclose performance evaluations to employees but I’ll tell you. Given different circumstances it was arguably positive. You pay attention to details others miss, you think outside the box, and you tend to be prepared.
Smith: Thank you. You took me by surprise earlier. I just needed a second to collect myself.
Smith smiled.

The beast smiled back. Smith was finally being logical. Smith suddenly raised his fist to the beast’s face. He was holding something. It was small and looked metallic. Without warning it released a loud BANG! The beast’s last thought before the silver bullet exited the back of his skull was that he should have seen this coming.
Smith had.

Tuesday, July 14, 2015

The End of Days

 

Lo! It is the end of days…

…of our Kickstarter campaign!

29 hours and $124.00 to go. Very exciting. And by exciting I mean "AHHH!"

 

beaker

Sunday, July 5, 2015

Beauty and the Beastmaster

This is a piece I wrote a few years back for Geek Speak Magazine. A very cool site, if I may say so. Check them out. I left in the editor’s notations in the piece and their ending tagline. The photos in the post are from a quick image search and mostly IMDB.



A few years back my comic collaborator Mark Gonyea and I exhibited at Wizard World Chicago. The Con was going well. The only black mark on the event was the stranglehold Coke held on the venue and our hotel’s vending machines. (I’m a Mountain Dew guy, by nature, and was more than willing to endure a four-mile round trip walk to the nearest retail temple that stocked my divine Ambrosia.) We arrived early on the final day of the show to walk amongst the exhibitors and make last minute purchase decisions. As it was early, I hopped in line to buy a coffee. I noted with fatigue-blunted senses a tall, blonde man in front of me in line. There was nothing outstanding about him, save instantly my brain told me I knew him. I asked my brain how it made this leap without seeing the man’s face. It replied it was working on it and hinted the coffee might help its efforts. The line advanced with mechanical precision and soon the tall man faced the coffee hawker.

“May I get two cups of coffee, please?” he asked in a pleasant tone.

His voice was familiar, too. It was too soon in the day for mysteries, so before my brain could cross-reference his voice I leaned over with the subtlety of a colonoscopy and looked him in the face.

Holy Crap! It’s Marc Singer!

Holy Crap! It’s still Marc Singer!

He looked at me, smiled, and reached for the first of the two cups of his order. Think fast!

“Mr. Singer, I have enjoyed your work for a long time. May I please buy your coffee?” I blurted.

Marc looked surprised for a moment before replying, “Really? Thanks!” [Marc Singer is the star of cult 1982 sword-and-sorcery epic The Beastmaster and its sequels, and he also starred as Mike Donovan in the original V - Ed.]


Before I could think of another point of banter, Marc started making small talk at a furious pace. He invited Mark and I back to his table in the autograph area to continue our chat and grant us a couple of free autographs to say thanks for the coffee. When we approached our destination he called down the line of tables to an attractive woman who was setting up for the day.

“Here’s your coffee, Erin.”


Neat! It’s Erin Gray!

Neat! It’s still Erin Gray!
 [Erin Gray starred as Colonel Deering in the 1979-81 TV series Buck Rogers in the 25th Century. - Ed.]
She casually walked over and took her coffee with a smile to us all.

“Erin,” said Marc. “These are my friends. Take care of them.”
She motioned for Mark and I to follow her back to her table, which we did like puppy dogs. She asked which photos we would like. We picked one out each and she signed them.

“That’ll be $20,” Erin said without an ounce of humor.

Somehow Marc’s words translated in Erin’s mind to, “Hot dog, my first sale of the day! I eat tonight!” What could we do? Without missing a beat we reached into our pockets, handed her our money -- that was $20 each, by the way -- and then thanked her with a smile for taking it. All the while she sipped on her hot, fresh, free coffee.

Mark and I walked back to Marc’s table and finished our conversation. It was very enjoyable. In fact, we chatted so long about comics, movies, art, writing, raising kids, and pop culture that we were twenty minutes late getting back to our table after the doors opened! We thanked Marc for his time and he did likewise to us. I don’t begrudge Erin Gray... much. She did take me by surprise, though. All I’ll say is that of the two autographs birthed by that encounter, only one hangs on my wall.
Beastmaster 1 Erin Gray 0

Sam Girdich is a writer of kick-ass comic books. Visit him, and artist Mark Gonyea, at their website StrongArmLabs.com.

Sunday, June 21, 2015

Kickstarter project is GO!

 

SALkickstarterCOVER

We have an awesome Kickstarter project launched and I swallowed a bug and here’s the link below to see for yourself…

KICKSTARTER! HUZZAH!

 

AtoZombie2

Sunday, January 12, 2014

The Death of Joe Average


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A bit of background before the story. Watching re-runs of the Adam West Batman television series as a kid, I was strangely struck by the readily available supply of hired thugs. Who were these people?  Didn't these nameless fists know the elaborate death trap was doomed to fail? Didn't they know they would get thrown into the waiting arms of Police Chief O'Hara's men? What would they tell their friends and family when they eventually came to bail them? Did they even have a family? Were they evil or just desperate and broke? Did they really want to kill Batman or anyone else?
That last question really stuck in my throat. What if the death trap WORKED. Would they celebrate the death of The Bat with the A-list villain, or be struck down by the horror of facilitating a slow, gruesome, and painful murder? Here’s my answer.

The Death of Joe Average

It wasn’t that Martha was dulled to the sound of a slamming door; it was more that she was accustomed to it. It was a common sound in her life, like the crying child somewhere behind a door down the dirty hallway of almost every building she had ever lived in. Angry voices was another. The ones through the ceiling and the floor were usually harder to understand then the ones from adjacent apartments. Sometimes she could hear the quick, low thud that cut short the fury of words and replaced with it with crying. Had she thought about it, she would have had to say she also heard laughing, children playing, and the noises young couples are prone to make. But those noises are not warnings. Slamming, crying, and yelling are the ones to pay attention to. Martha had learned, for example, there are several ways a door is opened. One is when a door knob seems to twitch or click, rather than twist through its full range of motion before exploding open. What is important here is what happens afterward. If the opener holds the door to keep it from hitting whatever is behind it and closes it just as fast and just as silently, then the goal is speed. The opener might be hiding or running from someone. If the door is left to its own momentum, they might be trying to catch you by surprise. Another way is when the sound of a knob wrenched is paired with the impact of a shoulder or hand sending the door crashing into whatever is behind it. There is no attempt to stop it or reclose it as the door was merely an obstacle, and it, along with anyone nearby better damn well not get in their way.
Martha was lying in bed next to her young daughter reading her Good Night Moon when her front door suddenly slammed open. She placed her hand over her daughter’s mouth holding a finger over her own to silence the girl. The door had been locked. She checked it twice before putting her daughter to bed. The door bounced off the wall before she heard a hand fumble off and then on the knob before catching it and closing it in failed silence.

“ohgodohgodohgod”

The voice was her husband’s and it confirmed what she heard in the door: he was panicked.

“You stay here,” she whispered to her daughter.The girl nodded pulling a small plush panda to her chin.

Martha closed the door behind her as she walked into the short hallway to the living room. Her husband paced around a small glass-top table occupying the space between the couch and a dying flat screen television.

“he’sdeadhe’sdeadhe’sdead…”

“Who is, Steve?” Martha spoke in a low, calm tone. She tried to guess from one of the number of people he used to work for and with. All dangerous people. All skilled, like her husband, in ways to hurt people.

He turned. He was crying. Or was. Thin shiny lines wandered down from his eyes to his chin. His eyes were blood shot. Martha noticed the right eye was puffy and darker than the left.

“YOU PROMISED US NEVER AGAIN!”

She lunged at him, fists flailing at his face. His hands never moved from his sides. His arms hung limp from his shoulders never moving to protect his already swelling face. Steve took every hit, every blow. He could stop her, and she knew it, but he deserved it. He went back on his word, lied to his wife and child. And that wasn’t the worst of it.

“Damn you! What did you do, Steve? Huh? Did you get punch happy on another wannabe cape? Someone hire you and a goon squad to break an arm? Or was a back? Or was this cape thrown off a building as a message like the last time? Huh, tough guy? WHO IS DEAD?!”

“Joe Average!” he yelled in her face.

She instantly stopped. Her chest continued heaving like a bellows but for the rest of her, time ceased. Her eyes captured movement again flicking back and forth across his face reading its lines and how the evaded hers.

“no..” Her voice was lower than the whisper she used for her daughter.

“Joe Average is dead.” Steve said it simply.

He slowly turned and sat on the couch. His hands fell into his lap as lifeless as before. He looked at them wishing they were gone.

Martha blinked rapidly with no regular pattern. A spastic, processing blink mirroring the twitch in mouth as if she meant to say something. It lasted only for a moment before she looked down at him.
“He can’t be dead. A thousand guys like you couldn’t hurt him.” She threw the words at him as if their truth could undue Steve’s words. He was wrong. He had to be.

“Joe Average is stronger and tougher than…anybody!” She blurted it out not really knowing what she was trying to say.

“He’s invulnerable. The real kind of invulnerable. Remember in the 80’s when, what’s his name, Professor Crisis teleported him to the center of the Earth during his UN speech? He crawled back to the surface of the Earth. Everybody knows that! He can’t be dead, you idiot!”

Steve listened to every word. The last part, he thought, was right. But, she knows I’m not lying. She knows I’m right. That’s what she’s trying to talk out of existence.

“He gave me this black eye,” he said pointing to the darkening patch around his swollen left eye.
“Who?” she asked.

“Joe did!” he answered. “The guy who freezes rivers with this breath. He hit me with everything he had trying to save his life and all I got was this black eye. I should be dead!”

“Oh god, Martha,” he added. “…it was terrible...”

His head dropped as if following the words falling from his mouth. He sobbed low, never wiping the tears from his eyes, never moving his hands.

Martha stared at him not knowing what to make of this. Steve wasn’t’ smart when it came to decisions, but he was always solid when the consequences fell back on top of him. He’s…broke. Steve has been on the receiving end of beatings before, some bad. It was a constant danger in his line of work: thug for hire. She remembered one night he came home with a smashed right hand, four cracked ribs, and a shattered sternum. A local crime boss put out the word for hired fists to take out a new cape. The cape, a woman, was making a name for herself as a skilled fighter. So, twenty men and women eager to score a bonus by landing her mask waited in ambush. Turns out she was a Super, only she kept it hidden. Real smart. Steve landed a clean jaw breaker and pulped his own hand in return. Rock-hard skin. She reversed punched him in chest and that was that. He woke up a short time later alone and injured behind a crate. Even this didn’t stop him. He just said next time someone else can take the first swing.

“What happened?” she demanded

“I got a text from this guy I know,” he replied taking deep breath. “He got a call from a guy we both worked for a while ago. Turns out this guy runs his own, uh, like temp agency or something. He hires bodies for other people now. You know what kind of people I mean. Anyway, it was big money paid in advance for a single night. I thought it was enough money that maybe you’d forgive me breaking my promise to give it up. Stupid, I know.”

Steve described the setting from earlier that night. He was in a warehouse near the industrial section of the city where business concerns too loud or noxious were tucked away. A dozen other hired hands wandered about stretching or talking to pass the time. No one knew who had arranged for them, which was common, but waiting around was not. Time was money. Idle chatter drifted past Steve distracting him from forgetting his promise to never again accept money to hurt someone.

“Damn right I got the money he owed me!”

“My wife never smiles at me the way this chick does.”

“ …just as long as I get paid.”

“Crap in a hat where is this guy?”

“Do we get costumes?”

“Settle down, kids.”

The group quieted instantly. This voice was new.

“Daddy’s home. Do any of you actually know who your father is? Never mind. Rhetorical and don’t care.”

The speaker looked plain to Steve. No fright wigs or bizarre togs. A cheap, dark charcoal suit. Scuffed shoes. White shirt. Nothing special except for his tie. That was expensive. You could tell by looking at it. A thick black line right down the center of him.

Steve and the rest of the crew were all veterans of the trade. Each had dozens of capers notched on his or her belt. Some specialized in military style operations while others were legitimate masters of unarmed combat. What thread they all seemed to share, from Steve’s quick review of the room, was the lack of enhancements. He had worked a few times with thugs hardwired for superhuman strength and speed. Bone Breakers who did not give a shit about cash and only cared about upgrades and maintenance agreements. Scary, dangerous people in a pool of workers filled with scary and dangerous. That lot was absent. That meant this truly was a cash-only crowd. Short-time work, in other words. Whatever this guy was paying them for, it wasn’t going to take very long.

The suit glided up to the group and continued.

“Allow me to introduce myself.” His tone was pleasant yet carried a deep vein of self-confidence. “I… am none of your damn business.”

“Nothing personal,” he continued. “Understand we are here to complete a transaction. That’s all.”
The suit’s eyes scanned the faces before him. They all looked calm with a couple on the verge of boredom. Steve wondered if the suit understood the group was watching him right back. Their calm exteriors would evaporate if threatened or they smelled a set-up. He figured the suit knew. The suit moved a bit at all times, but especially when he talked as if like a body caught in the tides of a racing mind. Steve thought the suit was nervous. He was wrong.

“To complete this transaction you need to do exactly as I say. Chisel that in stone.” The suit pointed to his head to demonstrate. “If I say sit on a duck, you ask which one and how long. If you have any other questions then I suggest you change lines of work.”

He turned from the group without another word. He didn’t have to worry about questions. No one arranges a gathering like this without having a target to throw it at. Besides, details and plans are important before the action starts and rarely after.

“We have a guest coming.” The suit was looking at one of three watches on his wrist now visible when he pulled up on his jacket sleeve.

Again, meaningless information, thought Steve, unless they were here to hit him. He had heard of that kind of thing happening before.

“I want everyone on their best behavior,” he added. “He should be here right…now.”

Suddenly, silently the room filled with brilliant white light.

Ah hell, thought Steve. His internal assessment was joined very externally by the woman to his left.
“Shit.”

The other reason plans were often useless was some powers in the world were immune to them. Above them. Her single word encapsulated everything that brilliance meant for them. They all knew this signature, this particular shade of white that quickly condensed into a man floating six inches above the concrete floor between them and the suit.

Joe Average thought Steve in a whisper to himself fearing the owner of the name could hear even the words spoken in a man’s own head.

“Remain calm,” says Joe.

His voice fills the building, though it is not loud. To Steve and the others the voice comes into their ears from all angles. It’s a disquieting sensation that alludes to the power in the man before them who otherwise looks typical in every way. Average height. Average build. Average appearance. Even his clothes are normal. Store bought jeans topped with a white button shirt. Joe Average. But then you remember the voice. You remember the power. You remember pictures of a man kneeling unprotected in the vacuum of space on the wing of a damaged space shuttle. You remember footage of a man standing a between forty-foot tall tsunami and the island it never reached.

The thugs didn’t move. If the suit thought they were willing to even touch him for any price he was beyond mistaken. Steve once saw an enhanced villain try to hit Joe. Joe moved so fast he simply ceased being at one place and came into being a few inches away. The man punched air for what seemed like a several minutes without any signs of fatigue until Joe reappeared with a resigned look on his face saying If you insist. Joe didn’t move that time. The villain’s man’s fist folded like a car ramming a thick concrete wall. His knuckles caved so far into his palm his fingertips touched past his own wrist. The noise was like a muffled wet pop! It was the worst sound Steve ever heard until the man started screaming. Punching a block of diamond would feel softer than hitting Joe.

“Joe!” cried the suit happily.

Joe turned to the suit. The suit in turned rushed forward as if into the embrace of an old friend.

“THE Joe Average!” The suit slapped Joe on the shoulder, only to quickly pull it back with a shake.”
“Ouch! Ha! Lost my head there for a moment. Not every day I get to meet ‘The Everyman’s Hero’. ‘The Paladin’. This is a real pleasure,” said the suit.

Joe leaned a fraction closer to the suit then turned toward us. His eyes traveled the over the rest of the small warehouse before returning to the suit. He looked puzzled. Steve thought he saw a faint glow in those puzzled eyes. A short lived shuffle of shifting clothes and boots rose around him. Rapidly exchanged glances confirmed the others, like Steve, suddenly wanted very much to be somewhere else.

“Where is…” Joe started to ask.

“The Umbra King,” interrupted the suit. “Your nemesis. Yeah. Sorry about that. The rumors of him hatching a mass death scheme were a lie. I started those ants up and down the grapevine. Everyone knows lies don’t work on you, so I’ll be blunt; I wanted to meet you.”

“Sonofabitch!” Shot out a man in the back of the group. “He’s a damn fanboy!”

The thought spread instantly on low nervous chuckles greased by the hope this was the moment they all were waiting for. The group slowly backed away as if by one mind. The fanboy got his meet-n-greet. Time for the props to go.

“Stay where you are, please”, said Joe without looking at them and without loss on the effect of his voice. He was fixated on the suit. Not worried, but curious.

“Yes, stay put,” echoed the suit meeting Joe’s bemused look.

Steve didn’t like this. The suit was right. Joe always knew a lie when he heard one. Yet the suit never said yes or no to being a fan boy. Something was wrong. There was an invisible puzzle in front of him. He tried to piece together what was wrong, but all he kept going to was the promise he broke coming here. So he just stopped trying.

“We’re not trespassing, Joe. I rented the place. And none of the kids here have warrants. We’re sin free as far as you’re concerned.” The suit turned to Steve and the others. “It’s not every day you get to stand before God, in a manner of speaking, and look him in the eyes guilt free.” The suit paused to let the smile growing in the corners of his mouth reach full size. “In fact, you Joe, are the only person here who has broken the law tonight.”

Surprisingly, Joe laughed. He landed and walked to a discarded chair. He brushed off the split leather seat, placed it back on four legs, and sat down.

“You have three minutes then I have to go,” said Joe.

“Thank you, but I won’t take that long. I have another appointment tonight as well. Do you mind if I stand?” he asked politely.

“Please do”, answered Joe.

The suit’s smile rapidly fell away.

“Best estimates give you thirteen distinct senses. I’m willing to bet you used every one to poke around the building, any vehicles parked outside, and us. That’s a Federal level invasion of privacy even for you. But, given how many people have tried to kill you over the years, I understand your caution and forgive you. My car is the one leaking antifreeze, by the way. Got a little on my hands.”
“I know”, said Joe in so matter of fact a tone it struck Steve as creepy. Hearing the words from all directions at once did not help. 

“I knew you did. Okay,” said the suit with a wave of dismal reserved for flies. “You have places to be. I have places to be. I arranged this with the hope of shaking your hand.”

The suit walked up to Joe and simply, confidently thrust out his right hand to Joe. Joe looked at the hand and the man bearing it. Again, surprisingly, he laughed. Joe leaned back in the chair.

“Then what happens?” asked Joe. “And what was your name?”

The suit’s arm didn’t move.

“What’s happens next is we’ll all probably just go home. Theirs to theirs. Me to mine. And you’ll probably be on the moon or some such place. I’d rather not give my name, if that is ok.”

Joe stood.

“I’ve met a lot of people over the years. You’re an interesting nut. I could discover it in a few seconds if I wanted to. And if I ever see you again I will.”

Joe straightened himself to his full average height and shook the suit’s hand. It was a brief exchange that ended as silently as it started. Joe nodded to the suit and closed his eyes.

His eyes snapped open wide and alarmed. He closed his eyes again. His face strained for a brief instant. When he opened them again he stepped back staring in panic at the suit.

“Is something wrong?” asked the suit with a too stressed sincerity.

Joe looked at his hands. Then back at the suit. They were trembling.

“It’s been a long time since you felt fear, hasn’t it?” asked the suit. “Long enough to forget what it felt like. Your mind turns against itself. Your body rushes to run, fight, and piss itself at the same time.”

Joe stepped back from the suit and looked at the thugs.

“Yes,” answered the suit to Joe’s glance. “This is why they are here.”

The suit turned to the hired fists. “Kill him.”

“What?” asked a man in the back of the group.

“Kill him,” repeated the suit. ”Perhaps I should say kill this man because I just killed Joe Average.”
Steve looked at the still living, breathing Joe Average standing some twenty-feet away. Breathing? Joe’s chest pushed and pulled air in quick, shallow motions. Steve also noticed small damp patches soaking through Joe’s white shirt pinning it to his body at random spots. Just like his own clothes.
“Some of you are catching on,” said the suit. He sat down in the chair Joe used while checking his watches again. “I was serious about my appointment so someone bring the slow kids up to speed.”
“He took away my power,” said Joe calmly pronouncing his own death.

Steve relived Joe’s words from the sagging cushions of his own couch. Chaotic images of fists and boots hammering like pistons on bone and opened flesh flashed in his head.

“We were on him instantly. I’m not even sure why. I guess to see if it was true. Does that make sense? He fought back. Fought hard. Never tried to run. That scared me. What if he got his power back? We HAD to kill him then because every second was maybe the second…

“You went back to being to nothing,” said Martha.

“Ya, I guess so.”

“What about the man in the suit?” she asked.

Steve looked up at Martha. She back down at him. She hadn’t physically moved and her eyes gave no hint of movement behind them, either.

“He watched. Never said a word. He just watched. Typical guy hires goons, he never shuts up. Got to rub it in. Got to show off who is the smartest guy in the room. This guy watches every punch and kick like he had to,” said Steve.

“No plans? No next step?” she demanded.

“Not to us, but I heard him whisper to Joe. That’s when I knew how bad it all really was.” Steve’s lapse from despair fell into waste. Without warning he started sobbing again, but just as fast as the emotions showed up he bottle them back up. “He bent down over Joe at the end. I was closest to them. A group like us can kill a man in a few seconds. Joe lasted almost three minutes and he looked like it. His right eye was caved in and dead. I don’t know where his ear was.” Steve took a deep breath. The real bloody picture of Joe, the one Martha must never learn, refused to move from in front of him. “Maybe he had a piece of his power left. A little one that made him last so long. It was horrible.”

“What did he say?” she demanded more than asked.

“He said it wasn’t personal. He told Joe he died from a thousand cuts. Or something like that. That all the ways people tried to kill him over the years left traces, like scratches. He figured out how to add them up and push them over. The suit held up his right hand when he said it. I don’t know what that was supposed to mean”

The handshake?” she asked.

“Maybe,” he answered. “I don’t know. Then he said he was meeting with The Umbra King next and he’d get the same but different.” Steve knew what those words meant. What they meant for everyone. He waited for Martha to show some sign she understood. She gave none.

“Damn it, Martha! He killed the most powerful person on the planet and was off to kill the second most powerful. Except, the other guy ain’t Joe! The other guy will pull you part first and never ask questions later. Joe kept the other guy in check. And now there’s no more Joe.”

“How do you know it was really Joe?” she asked.

“Stop it!” He yelled sending a spray of drying tears and spit onto the table between them.“Stop trying to convince yourself I’m wrong! I am not wrong!”

Before she saw him actually move he was on his feet and the table was crashing into the wall behind her. Its cheap frame crumbled at the joints on contact with a wooden thunkrish leaving deep gashes in the drywall. The glass top broke in several large shards that burst into dozens of smaller, sharper pieces when they hit the floor.

“We got to, got to get out of here!” Suddenly animated, Steve moved toward their bedroom.

He stopped.

His daughter, hugging the stuffed panda to her thin chest, stood in the doorway. Her small silhouette cast an even smaller shadow into the hall from the bedroom ceiling light.

“Sweetie, go back to bed,” Martha prompted. “Close the door and go back to bed. Mommy will be right in.”

The child froze staring at her father’s face.

Steve looked at her, and then at his bedroom beyond her. She was in his way. A small obstacle between him and everything he needed to run away. Everything they needed, he corrected himself. Hidden money, clothes, and cell numbers with owed favors tied to them. All the things he needed right now. Martha again directed their daughter back to bed. Her words were unrushed, disarming, and silky. It was the voice Martha reserved for comforting the child whenever he smashed a glass or installed a new hole in a nearby wall during an argument. His voice inside his head pushed with a strange, unfamiliar vigor. Get your stuff NOW! Don’t stop for her. Suddenly, he remembered another voice. This was the voice of a good man competing with his own. This other man his girl would run to when she heard the work of his own anger. This other man never asked for anything other than the opportunity to use his vast power to help others. That other voice was pleading to him in his memory under the clamoring of his own words. (Run idiot! Push her aside! HIT HER!) Past a shattered jaw and through bloody gaps in a irreparable mouth (DON’T STOP FOR HER!) that other man asked to live simply because:

“…therez …more to do…”

The building suddenly shook without warning. Martha ran to her daughter. She was surprised and oddly comforted to see Steve did the same just as the windows shattered. Glass tore through the air like tiny drunk daggers. Several slivers struck Steve in the head as he placed himself between his family and the flying debris.

“Was that an explosion?” yelled Martha over din of creaking walls and a rising wail of fearful children and adults from the other apartments.

Steve raised his head. Small, warm lines drew themselves down the back of his head and into his collar. He said nothing. He was thinking about a meeting between a man in a suit and a murderous demi-god. One of them wasn’t going to walk away and the world was going to be left on its own to deal with the other.

Martha read his face. It occurred to her the sound wasn’t so much an explosion after all, but more like a door slamming shut.

Thursday, October 2, 2008

Strongarm Interview #2 Smeff

(2020 Update. This is an old post. The Myspace links don't still work for some odd reason.)

 Our second Strongarm Interview features the musician Smeff. Some on Myspace are already familiar with this multi-talented bard, but not nearly enough. 2008 marked the release of his solo album Letters From Oblivion.

QUESTION ONE

**Without revealing your real name, unless you want to, why did you adopt a singular, monosyllabic nomenclature? In Letters From Oblivion, Smeff is a secret agent. Is Smeff more than a nickname? Has Smeff grown into an outlet for you, or is Smeff a fun device in your creative process?**

My real name is Jeff, but "Smeff" has been a nickname for years. I think it was Dez Tillman, my old bass player, who called me that first. Dez is an interesting character--long dread-locked hair, skateboarder, excellent guitar player--not someone I would presume to question about such labels; he just started calling me that, and it was so. Most of my musician friends have called me Smeff ever since, so when I went solo, it just seemed the natural choice for a "stage" name.

The "Secret Agent" thing was a fluke. This artist named "Etchi" and I got to talking about a graphic novel he was working on. He needed some male models for characters and he asked if I would be interested. We wrote back and forth on it for a few weeks, we came up with this "Agent Smeff" character, and he did some preliminary drawings which had my physical features mixed with crazy weapons (like a "smoke gun") and a fast sports car, etc. But as soon as I mentioned anything about profit sharing on the project, he split--no more contact, no acknowledgment, nothing.

A few weeks later, he started producing finished works in my likeness under a different name ("Agent 69" or something). There's nothing I can do to prove I had anything to do with the character, so I just dropped the whole thing. (Interestingly enough though, if you look at the early pictures of "Agent Smeff," he has a gold tie clip with "SL" on it for "Smeffland Incorporated." That's gone now in the final drawings since he changed the name.)

 

However, we had talked about turning the thing into a movie, and on a whim, I did the "Agent Smeff" theme song (this all before he bailed on me). I still had the dumb song, so I put it on the album. The "Maltese Midget" bit was just an extended (8 minute) joke based on the "Agent Smeff of Smeffland Incorporated" bit that we came up with. "If Everyone Was Nice" was just a final variation on that theme. The only other thing I did with the agent motif was the original video ad for the album, the one where I'm tied to the chair in the underground lair getting beaten-up by thugs. After that I just circular filed the whole thing.

Smeff is just my name, period. No hidden meanings or future plans for it. It's just like any band choosing a name for itself. It's something to call me and something that identifies my music. No mystery here. The only mystery is why the first album was so weird! And the answer is, because I've got a weird side--too many B-movies as a child.

QUESTION TWO

**How many instruments can you play and what is your musical background? Formal training? Self taught? Both?**

I play drums, keyboards, and guitars, plus I do all my own recording, mixing, and mastering. I think of myself as an accomplished drummer and sound engineer and a so-so guitar and keyboard player. Of course, you never stop learning, but I am definitely not Steve Vai. In fact, there are old ladies teaching Sunday school who are better guitarists than me, but I do what I can to get by.

My parents set me up with piano lessons when I was about nine years old. When I was eleven, I said I wanted to play drums because my older cousin was a professional jazz drummer. They found a fantastic drum teacher, Kurt Ritchie, and he taught me everything I know about percussion. After studying with him for a few years, he forced me (really forced me!) to play drums in a country-rock band with a bunch of forty-somethings (I was barely old enough to drive!) and I did it. It was a sink or swim situation, but it taught me loads about music and live performance, and loads about life in general (fifteen years old and playing in biker bars and honky-tonks; your eyes are WIDE open...)

**It's time consuming to learn a single instrument and you've tackled many. My hat's off to you. Was your family musically inclined and were you following in their footsteps? Speaking of parents, what did they make of your honky-tonk gigs? Any memorable stories the world should know about?**

Oooh, good questions...

My parents were both in marching band in high school--Dad on trombone (or some kind of horn) and mom on the clarinet. Mom played piano for as long as I can remember. But the real influential thing was the stereo. My dad always had a killer stereo system, like the best you could buy back in the sixties. And he had this fantastic record collection--Stan Getz, Billie Holiday, Benny Goodman, all kinds of Big Band stuff, Jonathan Winters comedy albums, tons of old Bill Cosby records, and on and on. It was mostly great music and great comedians.

The one album he had that really blew my mind as a kid was the original stage performance recording of "Jesus Christ Superstar." I would listen to that album over and over--the overture still gives me chills, it's so fucking cool--the best rock opera ever written. When I heard that, it warped my reality.

The earliest picture of me (besides newborn baby pictures) is one where I'm like one year old with these huge headphones on. The look on my face is "what the hell is going through my ears right now?!?!" It's pretty much the emblem of my childhood; I spent the whole thing sitting on the carpet in front of my dad's stereo late at night with headphones on listening to geniuses.

After that, it was my drum teacher, Kurt Ritchie, who introduced me to "Farewell To Kings" by Rush. That album affected me in my teens like "Jesus Christ Superstar" blew away my childhood. I haven't been the same since...

My parents were very supportive of my playing in the bars at a tender age. People just weren't as uptight about things like that back then like they are today. It did get weird sometimes though, and if they knew what was going on, they probably would have yanked me out of it pronto.

I once had a twenty-three year old woman proposition me by whispering what she'd do to me if I took her home; I was fifteen at the time. When our guitar player told her how old I was, she just about spit her beer.

I made the mistake of leaving the original band when I got hoodwinked by the new keyboard player we'd hired. He convinced me that we could form a better band with just him and me, that he knew people, and that I should leave these guys and help him form his new super group. I was gullible. It turned out that he was just a burnt out drunk and nobody wanted him around. I'm sure he drank himself to death a long time ago, but it taught me a esson about fast talkers and my own ego; both could lead me astray.

QUESTION THREE

**Let’s talk marketing and the internet. You had a Myspace page before you had your own site, Smeffland. Was this by design or out of convenience? And what, for you, are the strengths and weaknesses of each for a musician?**

I guess it was by design. Before I went solo, every other band I was in always had a Myspace site; it's easy to set-up and free to run, so why not. Plus, I just like Myspace. Some of the best friends I have today I met on Myspace years ago, so I just like it for personal reasons (and just for the record, Facebook is LAME! I hate it. Why anybody paid millions for that crap I'll never understand...)

Smeffland. com is more for marketing the c.d., and it's undergoing a major overhaul this month. We're streamlining it down to the essentials and getting rid of the cumbersome animation that makes it load slowly. I really think it's going to be much cooler and I can't wait till it's done. Hopefully it will be finished in October.

Websites are essential if you're serious. They can be a lot of work, depending on how elaborate you want to be, but they are as common in the business world as morning coffee. If you don't have a website, no one thinks you're serious, whether that's right or wrong. I mean, people have websites for their pets!

It's like websites today are what the Yellow Pages were decades ago, only they're cheaper, much more effective, and a lot more fun. The only weakness is in those same facts; everybody and their mother has one, so even though it's important to get one, just because you have one doesn't mean you're diddly-squat.

Even if you get five-hundred hits a day, it doesn't mean they're going to shell out money for your c.d. I always think of that Simpson's episode where Homer makes a website as the "Internet King," and he thinks that just because he's online now, people will start throwing money at him. It doesn't work that way. It's a battle of marketing, name recognition, timing, luck, and talent, probably in that order. And there's a million other bands and musicians fighting that same battle.

**Myspace is how I discovered your music. Since I purchased Letters, I am a slash in the win column for using Myspace as a marketing tool. But you said it yourself, there are a million other bands trying for that sale. What are you doing to separate yourself from the sea of competition? And is it easier or harder to survive in music as a primarily one-person operation?**

First off, I'm trying to make better music. I know my work is different from most of what's out there already, which is good and bad. Being different and unique is a big plus if you catch on, because then you're leading the new wave, whatever that wave may turn into, instead of chasing the bus by just doing what everybody else is doing. But you've got to catch on and get a following or you're just a guy (or band) doing something different that nobody likes.

But deliberately trying to be different is a dead-end too. You just have to do what you feel and throw caution to the wind; it's the only honest way to make any art. But the key is to do what you feel and do it well. And I'm not there yet, but every album is bringing me closer to that ideal marriage of creative honesty and skillful execution.

But bottom line, you start with good music. Sure, there's plenty of "successful" bozos making "bad" music, but it won't be around in five years. An honest musician will deal with the real question; do I love making music, or am I just in love with the idea of being a "successful" musician, i.e., a rich one with a famous face? If the answer to the first part is no, and the second is yes, then quit music and go to business school--you'll have a much better chance at riches there than in music. But if the answers are reversed, then start by doing your best to make good music. Then the rest is all marketing, and for that, call your ex-guitarist who quit the band and went to business school, or read some books on the subject.

But in spite of all the bullshit about name recognition, promotions, distribution, etc., if people like what you do because it's good and it moves them, you've won most of the battle. Look at Vincent Van Gogh. His paintings sell for millions. Of course, he never saw a dime of that money during his life, and he sure could have used it. But his art was sincere and from an honest source of creativity, so it ultimately succeeded. Thus, it really boils down to what's really important to you. Art or money? You CAN (maybe, if you’re lucky) have both if you truly love the first, but you CAN'T have the first if you only love the second.

I think it's easier as a solo artist than as a band. Bands are like a really rough marriage; they're hard to keep together. When you're solo, you hold all the cards, and if things bomb, you've got nobody to blame but yourself. But to be honest, playing music with friends--when it works--is more fun. At least the creative process is, because you have someone to share the moment with. Solo music is like being a painter; long lonely hours in a dark studio. It lends itself better to recluses rather than socialites.

QUESTION FOUR

**If you could evolve any creature on the planet to self-conscious, existential intelligence what would it be?**

How did we go from internet marketing to this question? But okay, that's an easy one: mankind. Because we are obviously not self-conscious, existentially intelligent beings yet or we wouldn't be destroying ourselves and the planet just so we can have a lot of "stuff" that we don't need. What a bummer note to end an interview on...

**Bummer note? Perhaps. But only if we stop listening to artists as the early warning system for society. Music about political and social reform has made a real impact on our world, or so the folk singers tell us. Do you agree or disagree?**

Music does change people, I have no doubt about that. Look at hip-hop. Millions of teenagers changed the way they dressed and spoke in only a few years largely because of it. It's had a huge impact, for good or for ill, on our society in a very short time. But whether music can (or has) really made "positive" social change, I can't say.

I see music as personal psycho-sexual communication between the musician(s) and the listener. Musical notes are vibratory energy at a primordial level that strikes a sympathetic vibration in all hearing human beings. It transcends language. Music is pure communication on a mystical level with words being optional. You can be deeply moved by a piece of music that has no lyric. How do you explain that? I defy anyone to explain it outside of emotional terms; it's impossible, other than to conclude something like, "I don't know--I just like it! It makes me feel..."--fill in the blank.

Music, like sex, has an impact on the world, but what it is and whether it's "good" or not, I cannot say. I just know that I love it.

Thanks, Smeff

Wednesday, September 24, 2008

Strongarm Interview: John "Widgett" Robinson

Strongarm Interviews
or
How I Learned to Stop Worrying and Love the Internet

Strongarm Labs introduces you to John “Widget” Robinson.

In his own words:
Widgett Walls is the chief cook and bottle washer of
Needcoffee.com, the pop culture website he founded on an etch-a-sketch attached the internet via two cups and some string back in 1998. He previously had worked as a content provider and editor at the now defunct Corona’s Coming Attractions. He writes under the pseudonym of John Robinson at times, and has published a novel, *Mystics on the Road to Vanishing Point*, and a book of short stories, *Magnificent Desolation*. His first children’s book, *There’s a Zombie in My Treehouse!*, co-written by Ken Plume and with art by Len Peralta, is due out this fall. He lives and works in Atlanta, Georgia. He hardly ever sleeps.

ROUND ONE

**It is 1998. Ultra-sleek computer monitors weight 50 lbs., a revolution in human existence called Virtual Reality is just around the corner, and the internet, still in diapers, is crawling along at 56 kbs. And then you come along and start a website that just celebrated its tenth birthday. How and why did that happen?**

Who told you about CapnPetesPiratePorn.com? Or did you mean Needcoffee? You meant Needcoffee. Sorry. That, like so many things in my life, started off as a joke and then got serious. It was me and some friends talking about pop culture crap to the point where we said, “Eh. You know? We should put some of this nonsense online. Just for the hell of it.” And now ten years later, I’m trying to turn it into my day job. How that happened…I honestly don’t know. I wish somebody could explain it to me.

** I was disappointed to find Googling CapnPetesPiratePorn.com yields nothing. I'll be upfront with that. I had visions of a salty dating site for Pirates. Work on that, will you?**

It’s a very private site. Get with me after the interview, we’ll hook you up.

As for Needcoffee, would you then say pop culture knowledge is becoming a commodity? In order to make a living with it you either have to tap into a pre-existing demand or create a new one, and we both know pop culture is well established. But has it grown to the point where it is a resource? And if so or not, why?

Well, I think it’s important to have people that you trust sort of minding the store on pop culture. When I was growing up, you had three channels on television. Back then Fox, long before Fox News—just Fox—was a fourth channel. Oooo. And you went to the cinema because it was a novel thing to do and because if you missed the movie, you had no idea when you might see it again. And trips to the mall to hit the coin arcade were a big deal. You didn’t need anybody to help you weed through all of that because there wasn’t that much to weed through. If some great foreign film or new band showed up somewhere else—guess what? Even if I told you about them you probably couldn’t get access to them. So who cared?

Flash forward to 2008. The pop culture world is freaking unrecognizable to what it was back then. The comics that sell like crazy? Manga from Japan. Movies come at you from all directions now: the cinema is almost an afterthought. iTunes, TV, pay per view, DVD, Blu-Ray…I have a friend who never goes to the cinema anymore, ever. He downloads movies to his gaming console and watches them on his uber-television. How many channels can you get? It’s insane.

Now, you’ve got a lot of people who that’s their thing. They are otaku for any type of pop culture and they’re your subject matter expert. But there’s lots of people who want to have lives, you know? They don’t have time to keep up with all this shit. Hell, *I* don’t have time to keep up with it. But I think the resource aspect is somebody who can cut through all the bullshit and say, “Look, forget all that nonsense. Here’s what you need to know.” Where I think Needcoffee strives to be different—and where I hope we succeed—is that we want to add to the conversation. We want to ask the next question. There are lots of ooh-that’s-cool linkblogs. If you want one of those, go find one. There are lots of sites who—and this drives me crazy—will write up a huge story based on a casting announcement for Saw V. Look: I got that same press release. No one and I mean no one gives a shit about how happy the director is that this person got cast, or how happy they are to work with the director. It’s just “X was cast in movie Y and will be playing Z.” If there’s some additional useful information, or entertaining information, then great. Otherwise, done. That’s why I started Stuff You Need to Know. Just distill the pop culture news down to a manageable level, you know?

Okay, one last thing and I’ll stop. The other thing that drives me fucking mental are DVD reviews. 95% of sites do not review DVDs. They review movies and then list the DVD contents. That is NOT a DVD review. That is a movie review with DVD contents listed after it. If you’re going to review the DVD, you have to watch the whole thing. And that’s frankly why we don’t do a lot of full-on DVD reviews—because it takes a long time to get through a well-stocked DVD with features. But if we review something—we have watched the whole thing and we can tell you about the whole thing.

Was there a question? I got lost there.

ROUND TWO

**You wrote one of my favorite zombie short stories of all-time. **

Holy shit. Really? Thanks, man.

**What is the appeal of zombies?**

Geez, there’s so many reasons. Especially for the Romero zombies. It’s like in DAWN OF THE DEAD. “They’re us.” They’re a diminished shadow of ourselves. They’re also death, shambling after you. Seriously. You can run but they don’t have to sleep. They don’t have to stop to take a piss. They don’t get winded. They will simply keep coming until you either drop them or you get dropped. It’s what Max Brooks described as the first true “total war” in WORLD WAR Z. But also, zombies can signify anything in your life that will eventually catch up to you and demand it be dealt with. But death is some scary shit just on your own. Not even just for yourself, because what will you care, you’ll be dead. But the horror is in the deaths of loved ones. Outliving those you love. And having to then deal with them. The little girl in the original NIGHT OF THE LIVING DEAD, for example. The mother in SHAUN OF THE DEAD. Nobody wants to have to look at a loved one and see something that has to be destroyed. It’s pretty much the ultimate apocalypse.

And they’re a lot more horrific in my opinion than say, vampires. Because most of the time, vampires are either elegant and snooty or 30 DAYS OF NIGHT bad mamma jammas. It’s only when you get back towards a more zombie-ish vampire like in Matheson’s I AM LEGEND that you get horror. Otherwise a lot of it’s just thrillers. And I’ve got a big problem with thrillers dressed up as horror movies.

Now the Rage Zombies of 28 DAYS LATER are interesting too. Because it’s the rheostat turned exactly the opposite direction. It’s an over stimulated shadow of ourselves. They are us with all safeties off and all gauges in the red. But even more than that they’re the ultimate expression of “Oh shit, NOW what do we do?” Fast zombies are bad, bad news.

Did that even remotely answer the question?

** Yes and you touched upon two very interesting point on zombies. The first: ...zombies can signify anything in your life that will eventually catch up to you and demand it be dealt with. Does the current zombie craze underlie a subconscious anxiety in our culture? I ask because when I managed a large, independent video store a number of years ago, the horror rentals always spiked during tax season and school finals. Perhaps zombies are a meaning of venting about looming problems and the inevitable end of the flesh.**

Oh, I think horror movies in general are that way. How do you explain this really disturbing torture porn movement? What point is there in a story about strapping someone to a chair and carving bits off of them? What the hell is that about? But to get back to your thing, yes, I think zombies are a way of dealing with a lot of problems. You can very easily make them symbolize anything.

**The second...And they’re a lot more horrific in my opinion than say, vampires. I agree. Is that the reason why you can find people who believe in vampires, but you would be hard pressed to find someone who believes in flesh eating zombies? Logistics aside, of course. I'm asking about the concept of the zombie versus the concept of the vampire.**

Well, I don’t know. When you’re talking conceptually, the difference between one bit of undead and the next is intelligence and sense of style, I guess. Well, and diet. I’ve never heard anybody who actually believed in vampires—and I listen to Art Bell, so I’ve heard them—say, “Well, you know, I’m talking more about the CONCEPT than anything else.” They actually buy into it.

**Final note, what age range is THERE'S A ZOMBIE IN MY TREEHOUSE?**

It’s for twisted children of all ages. That being said, use your discretion when reading it to a three year old, say.

ROUND THREE

**What websites make life worth living?**

There are websites that make life easier, and some that are very cool, but none that make it worth living. Haven’t found one yet, let’s put it that way.

**Which make life a living hell?**

Dunno. If I ever ran into any that bad I simply wouldn’t go back. That’s the beauty of the Internet. Freedom of choice. That being said.. irs.gov.

**Does America REALLY run on Dunkin? If not, what does it run on?**

America runs on stubbornness. Coffee merely helps us stay up longer so we can be stubborn about more things longer.

**What are the cool websites you mentioned?**

Hmmm. There’s a lot. Offhand, I would say BLDGBLOG, Chortle for UK comedy news, bighappyfunhouse, Classic Television Showbiz, Dark Roasted Blend and Neatorama are excellent linkblogs, Modern Mechanix, TED.com, and everything I want to know about comics I get from Invincible Super-Blog and Occasional Superheroine. Just to name a few. My Google Reader list is ridiculous.

**Are you stubborn?**

Hell yes. Are you kidding? You can’t run a website for ten years or self-publish books and not be.


** Thanks, John**