Showing posts with label comics. Show all posts
Showing posts with label comics. Show all posts

Wednesday, January 7, 2026

Decoupage Captain America Shield Build - with photos

Decoupage Captain America Shield Build 

 

-Many, many comics were harmed in the making of this project-

 An idea struck me for a new, unconventional Captain America shield. 

Decoupage: a visual art form involving decorating an object by gluing cut-out paper, fabric, or other flat materials onto its surface, sometimes in combination with special paint effects, or other decorative elements. 

So, I got out some spare shield parts and started playing…


 ..and playing...




 


 
 



 

 


 


Right about this point in the process (a year in) it hit me. I wasn't making an ode to comics. I was making a comic. The star a speech bubble, a sound effect, and a catch phrase. The white back a page. A bleached chariot of pressed pulp carrying gods, demons, monsters, lovers, heroes, and villains from their world into ours. The red, white, and blue a stage for clashes of muscle and mind.




A DIY vid is in the works that will combine ‘how-to’ with ‘step-by-step progression’ without turning into a glorified slide show. I think. Hopefully. No promises. 

Be well.

 - Sam 

 



Monday, February 29, 2016

Those who do not learn from history are doomed to really screw it up.

(Image taken by me.)


The Revolution won't be starting in Saratoga.

I don't know when this blow to the fascist 'Private No Parking' sign was hoisted up the flag pole of freedom, but I salute the plucky spirit of our local rebel. Next time, though, please remember to research the source material. There's this thing called Google. And don't tag other people's stuff. Not cool. Just saying.

Snapping this pic did, however, make me remember two nods of my own to Alan Moore, including the Catholic revolutionary inspired character whom the comic world refers simply as V.

V for Ven-Stupid. Alan Moore in one line changed my younger self's view of anarchy by pointing out the difference between anarchy and chaos. It cannot be understated how much they are NOT the same. I cringe when I see the V mask worn by people who don't understand that, nor want to.

Watchmen and Reagan. Part Watchmen movie review and part history lesson staring Ronald Reagan in his final role.

There's so much political crap falling from the sky nowadays (from both sides) how could I NOT think about V for Vendetta or Watchmen, you know? If you've read the graphic novels you know what I mean.


Thursday, January 22, 2015

Wondering About Wonder Woman

 

Warner Brothers and DC are trying hard to make up for lost time and a much larger quality gap regarding the big screen adaptations of their characters. High hopes and MILLION$ of dollars are hanging on next year’s Batman V Superman: Dawn of Justice film. A large chunk of the hype is not around the titular heroes however, but for a certain amazon whose fans for years have yearned to see in a movie. The portrayal of Wonder Woman will make or break this film for many. Me? I just want a GOOD MOVIE. Entertain me while keeping the story’s internal logic consistent and fleshing out solid characters and I will hand over my money. In that spirit I given you one of several openings I envision for the announced 2017 release of the Wonder Woman film. Enjoy!

Wonder Woman

by Sam Girdich

Fade In:

EXT. A LARGE CITY PARK ON A BRIGHT, SUNNY FALL AFTERNOON. A SERIES OF CUTS:

We see scenes of people, but sometimes the view becomes blurry. Couples read books, listen to music while sunning, or text who knows who while completely NOT interacting with the person right next to them. Parents play with children. Elderly couples walk hand in hand. The view finally becomes completely blurry.

CUT TO:

The shot changes to a very old man (ARTY). He is holding his thick glasses in one hand while rubbing his blue eyes with his other. His cane leans against his bench. We were watching the park and its users through his eyes. He is dressed in clean but old and slightly too large clothes showing he has had, and worn, these items for some time. With his glasses returned to his face he continues people watching. We now watch him watching others. A pattern emerges. He is watching couples or families while he sits all alone. He absentmindedly plays with his wedding ring the entire time but that action is NOT focused on. Let the Audience notice it or not. A tall person walks past him blocking his view for an instant. His attention captured, he turns toward the person.

CUT TO:

It is a woman. She is very tall, confident, and sporting long black hair. He watches her with some interest as she walks away without looking back. She looks familiar. She’s gone in a few seconds.

SFX:

Thud tink

CUT TO:

Arty looks down at the sound. A German, WWII era hand grenade (a potato masher) has just landed at his feet. No time to react. IT EXPLODES!

CUT TO:

The flash and bang pass, but the smoke does not. Someone in the smoke is coughing. A man screams in pain somewhere off screen. Suddenly a young US soldier circa WW II runs into view thinning the smoke. We are now in a dark forest in Germany. The solider is wearing a mobile communication pack. He drops behind a tree as gun fire and more explosions rock the area around him. Panicking he pulls his pack off and reaches for the receiver.

CUT TO CLOSE UP: The unit is damaged. The wires to the hand piece are split.

CUT TO:

He immediately sets to trying to repair the wires. He bites at the thick wire coating to expose a new length of wire. The explosions are getting louder. Soldiers run past him. He twists the two pieces of exposed wire together bridging the gap. A new mechanical sound reaches his ears.

CUT TO:

THE OPPOSITE SIDE OF THE TREE IS BEHIND

He slowly peaks around the tree.

CUT TO:

Arty’s POV. We see he is only yards in the forest. German tanks approach the tree line. He retreats behind the tree and tries the unit. Bullets fly past him.

CUT TO:

Arty makes a pitched plea.

ARTY:

Charlie Tango Echo. Repeat. Charlie Tango Echo. The Germans are pushing north toward the Luxembourg border. Repeat. This is Charlie Echo Tango. We are in full retreat requesting air support.

SFX: static

SFX:

KABOOM (tank shell lands nearby)

CUT TO:

Arty is hurled through the air. He lands on his own equipment.

CUT TO. OVERHEAD VIEW:

Arty is dazed and bleeding badly from his ears and nose. Several seconds pass. A large, blurry figure leans over him. He reaches for his gun half unconscious. A woman’s dirty, blood stained effortlessly hand pushes his arm down.

DIANA (VO)

Don’t move.

CUT TO. SIDE VIEW.

Diana inspects his injuries. Arty’s panicked eyes watch her every move.

DIANA

You are badly wounded and will likely die. (She speaks calmly and directly.)

Close your eyes. Find what peace you can. I will hold off the Germans while your men regroup.

CUT TO:

Arty stares, gasping for air, at this impossible person who just pronounced his death. She looks closer at him. He looks very young.

DIANA

Close your eyes. Think of your home.

CUT TO: ARTY’S POV

She stands and walks off. She was carrying a bloody sword in her other hand the entire time. She is dressed for battle. Arty watches her transfixed. She suddenly runs off toward the Germans far faster than any human can run. He follows her path, his life still draining. German soldiers fire at her. She blocks with her bracers easily deflecting some back toward the soldiers. She raises her sword and dives into them.

CUT TO: OVERHEAD VIEW

The view switches to Arty’s face. We see the shock in his eyes match the sound of her battle cries and screams of the Germans. She is literally tearing through them and we see it reflected in his face.

SFX

Screams and rending metal. (She can tear apart tanks, lest we forget.)

He looks away and skyward.

CUT TO: ARTY’S POV

It is a clear blue day. Blue just like his eyes. The sounds are fading, calming as his eyes close.

CUT TO: ARTY’S POV. MODERN DAY.

He blinks his eyes open. Several people are standing over him discussing what to do while one person calls 911.

SFX

Crowd words: Don’t move him. What happened? Don’t know. Heart attack? How should I know? Don’t move him.

Excuse me (VO)

CUT TO:

The crowd parts allowing the same woman Arty was watching to approach. It is Diana in civilian clothes. She looks him over and stops at his eyes. They look at each other for a second. She smiles.

DIANA

You can get up.

CUT TO:

She easily but carefully helps Arty back to his feet. A siren wails in the background. The bystanders walk away. She helps him back onto the bench.

ARTY

Where… have you been?

DIANA

I had to leave.

But I am back now.

CUT TO: CLOSE UP ON ARTY’S HANDS. THEY ARE SHAKING. SOMETHING IS VERY WRONG WITH HIM.

ARTY

Stay with me this time?

DIANA

You have my word.

FADE OUT

 

Is this fan fiction? Honestly, I have no idea. I don’t read her book, though I have sampled it over the years. I simply haven’t found a writer (yet) who brings that something to the character that hooks me. It is the same reason I don’t read Green Lantern. Both are awesome, long-lived and well-loved characters I’d like to read but don’t. I never read Daredevil, for example, until I found Ann Nocenti’s run. She brought a something to the book that blew me away. Maybe it is the lack of finding that something? If I know me, and I do, then I may be on to something there. I want more ‘Ann Nocenti moments’ in my comic reading life and Diana is one of several characters I want to experience that with. To me, she is dichotomy in motion. The most obvious being the warrior archetype and the healer archetype if I may fax philosophic. There are others, as well. In other words, she has conflicting natures within her (like you and I) that could be used to examine what it means to be human. Let me stop now before I re-hash the millions of words that have been spilled on the psychology of literary characters. I’m just saying I’ve always thought there was more to her character and if I can’t find what I am looking for then I will create it.

Looks like I answered my own question.

Sunday, January 12, 2014

The Death of Joe Average


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A bit of background before the story. Watching re-runs of the Adam West Batman television series as a kid, I was strangely struck by the readily available supply of hired thugs. Who were these people?  Didn't these nameless fists know the elaborate death trap was doomed to fail? Didn't they know they would get thrown into the waiting arms of Police Chief O'Hara's men? What would they tell their friends and family when they eventually came to bail them? Did they even have a family? Were they evil or just desperate and broke? Did they really want to kill Batman or anyone else?
That last question really stuck in my throat. What if the death trap WORKED. Would they celebrate the death of The Bat with the A-list villain, or be struck down by the horror of facilitating a slow, gruesome, and painful murder? Here’s my answer.

The Death of Joe Average

It wasn’t that Martha was dulled to the sound of a slamming door; it was more that she was accustomed to it. It was a common sound in her life, like the crying child somewhere behind a door down the dirty hallway of almost every building she had ever lived in. Angry voices was another. The ones through the ceiling and the floor were usually harder to understand then the ones from adjacent apartments. Sometimes she could hear the quick, low thud that cut short the fury of words and replaced with it with crying. Had she thought about it, she would have had to say she also heard laughing, children playing, and the noises young couples are prone to make. But those noises are not warnings. Slamming, crying, and yelling are the ones to pay attention to. Martha had learned, for example, there are several ways a door is opened. One is when a door knob seems to twitch or click, rather than twist through its full range of motion before exploding open. What is important here is what happens afterward. If the opener holds the door to keep it from hitting whatever is behind it and closes it just as fast and just as silently, then the goal is speed. The opener might be hiding or running from someone. If the door is left to its own momentum, they might be trying to catch you by surprise. Another way is when the sound of a knob wrenched is paired with the impact of a shoulder or hand sending the door crashing into whatever is behind it. There is no attempt to stop it or reclose it as the door was merely an obstacle, and it, along with anyone nearby better damn well not get in their way.
Martha was lying in bed next to her young daughter reading her Good Night Moon when her front door suddenly slammed open. She placed her hand over her daughter’s mouth holding a finger over her own to silence the girl. The door had been locked. She checked it twice before putting her daughter to bed. The door bounced off the wall before she heard a hand fumble off and then on the knob before catching it and closing it in failed silence.

“ohgodohgodohgod”

The voice was her husband’s and it confirmed what she heard in the door: he was panicked.

“You stay here,” she whispered to her daughter.The girl nodded pulling a small plush panda to her chin.

Martha closed the door behind her as she walked into the short hallway to the living room. Her husband paced around a small glass-top table occupying the space between the couch and a dying flat screen television.

“he’sdeadhe’sdeadhe’sdead…”

“Who is, Steve?” Martha spoke in a low, calm tone. She tried to guess from one of the number of people he used to work for and with. All dangerous people. All skilled, like her husband, in ways to hurt people.

He turned. He was crying. Or was. Thin shiny lines wandered down from his eyes to his chin. His eyes were blood shot. Martha noticed the right eye was puffy and darker than the left.

“YOU PROMISED US NEVER AGAIN!”

She lunged at him, fists flailing at his face. His hands never moved from his sides. His arms hung limp from his shoulders never moving to protect his already swelling face. Steve took every hit, every blow. He could stop her, and she knew it, but he deserved it. He went back on his word, lied to his wife and child. And that wasn’t the worst of it.

“Damn you! What did you do, Steve? Huh? Did you get punch happy on another wannabe cape? Someone hire you and a goon squad to break an arm? Or was a back? Or was this cape thrown off a building as a message like the last time? Huh, tough guy? WHO IS DEAD?!”

“Joe Average!” he yelled in her face.

She instantly stopped. Her chest continued heaving like a bellows but for the rest of her, time ceased. Her eyes captured movement again flicking back and forth across his face reading its lines and how the evaded hers.

“no..” Her voice was lower than the whisper she used for her daughter.

“Joe Average is dead.” Steve said it simply.

He slowly turned and sat on the couch. His hands fell into his lap as lifeless as before. He looked at them wishing they were gone.

Martha blinked rapidly with no regular pattern. A spastic, processing blink mirroring the twitch in mouth as if she meant to say something. It lasted only for a moment before she looked down at him.
“He can’t be dead. A thousand guys like you couldn’t hurt him.” She threw the words at him as if their truth could undue Steve’s words. He was wrong. He had to be.

“Joe Average is stronger and tougher than…anybody!” She blurted it out not really knowing what she was trying to say.

“He’s invulnerable. The real kind of invulnerable. Remember in the 80’s when, what’s his name, Professor Crisis teleported him to the center of the Earth during his UN speech? He crawled back to the surface of the Earth. Everybody knows that! He can’t be dead, you idiot!”

Steve listened to every word. The last part, he thought, was right. But, she knows I’m not lying. She knows I’m right. That’s what she’s trying to talk out of existence.

“He gave me this black eye,” he said pointing to the darkening patch around his swollen left eye.
“Who?” she asked.

“Joe did!” he answered. “The guy who freezes rivers with this breath. He hit me with everything he had trying to save his life and all I got was this black eye. I should be dead!”

“Oh god, Martha,” he added. “…it was terrible...”

His head dropped as if following the words falling from his mouth. He sobbed low, never wiping the tears from his eyes, never moving his hands.

Martha stared at him not knowing what to make of this. Steve wasn’t’ smart when it came to decisions, but he was always solid when the consequences fell back on top of him. He’s…broke. Steve has been on the receiving end of beatings before, some bad. It was a constant danger in his line of work: thug for hire. She remembered one night he came home with a smashed right hand, four cracked ribs, and a shattered sternum. A local crime boss put out the word for hired fists to take out a new cape. The cape, a woman, was making a name for herself as a skilled fighter. So, twenty men and women eager to score a bonus by landing her mask waited in ambush. Turns out she was a Super, only she kept it hidden. Real smart. Steve landed a clean jaw breaker and pulped his own hand in return. Rock-hard skin. She reversed punched him in chest and that was that. He woke up a short time later alone and injured behind a crate. Even this didn’t stop him. He just said next time someone else can take the first swing.

“What happened?” she demanded

“I got a text from this guy I know,” he replied taking deep breath. “He got a call from a guy we both worked for a while ago. Turns out this guy runs his own, uh, like temp agency or something. He hires bodies for other people now. You know what kind of people I mean. Anyway, it was big money paid in advance for a single night. I thought it was enough money that maybe you’d forgive me breaking my promise to give it up. Stupid, I know.”

Steve described the setting from earlier that night. He was in a warehouse near the industrial section of the city where business concerns too loud or noxious were tucked away. A dozen other hired hands wandered about stretching or talking to pass the time. No one knew who had arranged for them, which was common, but waiting around was not. Time was money. Idle chatter drifted past Steve distracting him from forgetting his promise to never again accept money to hurt someone.

“Damn right I got the money he owed me!”

“My wife never smiles at me the way this chick does.”

“ …just as long as I get paid.”

“Crap in a hat where is this guy?”

“Do we get costumes?”

“Settle down, kids.”

The group quieted instantly. This voice was new.

“Daddy’s home. Do any of you actually know who your father is? Never mind. Rhetorical and don’t care.”

The speaker looked plain to Steve. No fright wigs or bizarre togs. A cheap, dark charcoal suit. Scuffed shoes. White shirt. Nothing special except for his tie. That was expensive. You could tell by looking at it. A thick black line right down the center of him.

Steve and the rest of the crew were all veterans of the trade. Each had dozens of capers notched on his or her belt. Some specialized in military style operations while others were legitimate masters of unarmed combat. What thread they all seemed to share, from Steve’s quick review of the room, was the lack of enhancements. He had worked a few times with thugs hardwired for superhuman strength and speed. Bone Breakers who did not give a shit about cash and only cared about upgrades and maintenance agreements. Scary, dangerous people in a pool of workers filled with scary and dangerous. That lot was absent. That meant this truly was a cash-only crowd. Short-time work, in other words. Whatever this guy was paying them for, it wasn’t going to take very long.

The suit glided up to the group and continued.

“Allow me to introduce myself.” His tone was pleasant yet carried a deep vein of self-confidence. “I… am none of your damn business.”

“Nothing personal,” he continued. “Understand we are here to complete a transaction. That’s all.”
The suit’s eyes scanned the faces before him. They all looked calm with a couple on the verge of boredom. Steve wondered if the suit understood the group was watching him right back. Their calm exteriors would evaporate if threatened or they smelled a set-up. He figured the suit knew. The suit moved a bit at all times, but especially when he talked as if like a body caught in the tides of a racing mind. Steve thought the suit was nervous. He was wrong.

“To complete this transaction you need to do exactly as I say. Chisel that in stone.” The suit pointed to his head to demonstrate. “If I say sit on a duck, you ask which one and how long. If you have any other questions then I suggest you change lines of work.”

He turned from the group without another word. He didn’t have to worry about questions. No one arranges a gathering like this without having a target to throw it at. Besides, details and plans are important before the action starts and rarely after.

“We have a guest coming.” The suit was looking at one of three watches on his wrist now visible when he pulled up on his jacket sleeve.

Again, meaningless information, thought Steve, unless they were here to hit him. He had heard of that kind of thing happening before.

“I want everyone on their best behavior,” he added. “He should be here right…now.”

Suddenly, silently the room filled with brilliant white light.

Ah hell, thought Steve. His internal assessment was joined very externally by the woman to his left.
“Shit.”

The other reason plans were often useless was some powers in the world were immune to them. Above them. Her single word encapsulated everything that brilliance meant for them. They all knew this signature, this particular shade of white that quickly condensed into a man floating six inches above the concrete floor between them and the suit.

Joe Average thought Steve in a whisper to himself fearing the owner of the name could hear even the words spoken in a man’s own head.

“Remain calm,” says Joe.

His voice fills the building, though it is not loud. To Steve and the others the voice comes into their ears from all angles. It’s a disquieting sensation that alludes to the power in the man before them who otherwise looks typical in every way. Average height. Average build. Average appearance. Even his clothes are normal. Store bought jeans topped with a white button shirt. Joe Average. But then you remember the voice. You remember the power. You remember pictures of a man kneeling unprotected in the vacuum of space on the wing of a damaged space shuttle. You remember footage of a man standing a between forty-foot tall tsunami and the island it never reached.

The thugs didn’t move. If the suit thought they were willing to even touch him for any price he was beyond mistaken. Steve once saw an enhanced villain try to hit Joe. Joe moved so fast he simply ceased being at one place and came into being a few inches away. The man punched air for what seemed like a several minutes without any signs of fatigue until Joe reappeared with a resigned look on his face saying If you insist. Joe didn’t move that time. The villain’s man’s fist folded like a car ramming a thick concrete wall. His knuckles caved so far into his palm his fingertips touched past his own wrist. The noise was like a muffled wet pop! It was the worst sound Steve ever heard until the man started screaming. Punching a block of diamond would feel softer than hitting Joe.

“Joe!” cried the suit happily.

Joe turned to the suit. The suit in turned rushed forward as if into the embrace of an old friend.

“THE Joe Average!” The suit slapped Joe on the shoulder, only to quickly pull it back with a shake.”
“Ouch! Ha! Lost my head there for a moment. Not every day I get to meet ‘The Everyman’s Hero’. ‘The Paladin’. This is a real pleasure,” said the suit.

Joe leaned a fraction closer to the suit then turned toward us. His eyes traveled the over the rest of the small warehouse before returning to the suit. He looked puzzled. Steve thought he saw a faint glow in those puzzled eyes. A short lived shuffle of shifting clothes and boots rose around him. Rapidly exchanged glances confirmed the others, like Steve, suddenly wanted very much to be somewhere else.

“Where is…” Joe started to ask.

“The Umbra King,” interrupted the suit. “Your nemesis. Yeah. Sorry about that. The rumors of him hatching a mass death scheme were a lie. I started those ants up and down the grapevine. Everyone knows lies don’t work on you, so I’ll be blunt; I wanted to meet you.”

“Sonofabitch!” Shot out a man in the back of the group. “He’s a damn fanboy!”

The thought spread instantly on low nervous chuckles greased by the hope this was the moment they all were waiting for. The group slowly backed away as if by one mind. The fanboy got his meet-n-greet. Time for the props to go.

“Stay where you are, please”, said Joe without looking at them and without loss on the effect of his voice. He was fixated on the suit. Not worried, but curious.

“Yes, stay put,” echoed the suit meeting Joe’s bemused look.

Steve didn’t like this. The suit was right. Joe always knew a lie when he heard one. Yet the suit never said yes or no to being a fan boy. Something was wrong. There was an invisible puzzle in front of him. He tried to piece together what was wrong, but all he kept going to was the promise he broke coming here. So he just stopped trying.

“We’re not trespassing, Joe. I rented the place. And none of the kids here have warrants. We’re sin free as far as you’re concerned.” The suit turned to Steve and the others. “It’s not every day you get to stand before God, in a manner of speaking, and look him in the eyes guilt free.” The suit paused to let the smile growing in the corners of his mouth reach full size. “In fact, you Joe, are the only person here who has broken the law tonight.”

Surprisingly, Joe laughed. He landed and walked to a discarded chair. He brushed off the split leather seat, placed it back on four legs, and sat down.

“You have three minutes then I have to go,” said Joe.

“Thank you, but I won’t take that long. I have another appointment tonight as well. Do you mind if I stand?” he asked politely.

“Please do”, answered Joe.

The suit’s smile rapidly fell away.

“Best estimates give you thirteen distinct senses. I’m willing to bet you used every one to poke around the building, any vehicles parked outside, and us. That’s a Federal level invasion of privacy even for you. But, given how many people have tried to kill you over the years, I understand your caution and forgive you. My car is the one leaking antifreeze, by the way. Got a little on my hands.”
“I know”, said Joe in so matter of fact a tone it struck Steve as creepy. Hearing the words from all directions at once did not help. 

“I knew you did. Okay,” said the suit with a wave of dismal reserved for flies. “You have places to be. I have places to be. I arranged this with the hope of shaking your hand.”

The suit walked up to Joe and simply, confidently thrust out his right hand to Joe. Joe looked at the hand and the man bearing it. Again, surprisingly, he laughed. Joe leaned back in the chair.

“Then what happens?” asked Joe. “And what was your name?”

The suit’s arm didn’t move.

“What’s happens next is we’ll all probably just go home. Theirs to theirs. Me to mine. And you’ll probably be on the moon or some such place. I’d rather not give my name, if that is ok.”

Joe stood.

“I’ve met a lot of people over the years. You’re an interesting nut. I could discover it in a few seconds if I wanted to. And if I ever see you again I will.”

Joe straightened himself to his full average height and shook the suit’s hand. It was a brief exchange that ended as silently as it started. Joe nodded to the suit and closed his eyes.

His eyes snapped open wide and alarmed. He closed his eyes again. His face strained for a brief instant. When he opened them again he stepped back staring in panic at the suit.

“Is something wrong?” asked the suit with a too stressed sincerity.

Joe looked at his hands. Then back at the suit. They were trembling.

“It’s been a long time since you felt fear, hasn’t it?” asked the suit. “Long enough to forget what it felt like. Your mind turns against itself. Your body rushes to run, fight, and piss itself at the same time.”

Joe stepped back from the suit and looked at the thugs.

“Yes,” answered the suit to Joe’s glance. “This is why they are here.”

The suit turned to the hired fists. “Kill him.”

“What?” asked a man in the back of the group.

“Kill him,” repeated the suit. ”Perhaps I should say kill this man because I just killed Joe Average.”
Steve looked at the still living, breathing Joe Average standing some twenty-feet away. Breathing? Joe’s chest pushed and pulled air in quick, shallow motions. Steve also noticed small damp patches soaking through Joe’s white shirt pinning it to his body at random spots. Just like his own clothes.
“Some of you are catching on,” said the suit. He sat down in the chair Joe used while checking his watches again. “I was serious about my appointment so someone bring the slow kids up to speed.”
“He took away my power,” said Joe calmly pronouncing his own death.

Steve relived Joe’s words from the sagging cushions of his own couch. Chaotic images of fists and boots hammering like pistons on bone and opened flesh flashed in his head.

“We were on him instantly. I’m not even sure why. I guess to see if it was true. Does that make sense? He fought back. Fought hard. Never tried to run. That scared me. What if he got his power back? We HAD to kill him then because every second was maybe the second…

“You went back to being to nothing,” said Martha.

“Ya, I guess so.”

“What about the man in the suit?” she asked.

Steve looked up at Martha. She back down at him. She hadn’t physically moved and her eyes gave no hint of movement behind them, either.

“He watched. Never said a word. He just watched. Typical guy hires goons, he never shuts up. Got to rub it in. Got to show off who is the smartest guy in the room. This guy watches every punch and kick like he had to,” said Steve.

“No plans? No next step?” she demanded.

“Not to us, but I heard him whisper to Joe. That’s when I knew how bad it all really was.” Steve’s lapse from despair fell into waste. Without warning he started sobbing again, but just as fast as the emotions showed up he bottle them back up. “He bent down over Joe at the end. I was closest to them. A group like us can kill a man in a few seconds. Joe lasted almost three minutes and he looked like it. His right eye was caved in and dead. I don’t know where his ear was.” Steve took a deep breath. The real bloody picture of Joe, the one Martha must never learn, refused to move from in front of him. “Maybe he had a piece of his power left. A little one that made him last so long. It was horrible.”

“What did he say?” she demanded more than asked.

“He said it wasn’t personal. He told Joe he died from a thousand cuts. Or something like that. That all the ways people tried to kill him over the years left traces, like scratches. He figured out how to add them up and push them over. The suit held up his right hand when he said it. I don’t know what that was supposed to mean”

The handshake?” she asked.

“Maybe,” he answered. “I don’t know. Then he said he was meeting with The Umbra King next and he’d get the same but different.” Steve knew what those words meant. What they meant for everyone. He waited for Martha to show some sign she understood. She gave none.

“Damn it, Martha! He killed the most powerful person on the planet and was off to kill the second most powerful. Except, the other guy ain’t Joe! The other guy will pull you part first and never ask questions later. Joe kept the other guy in check. And now there’s no more Joe.”

“How do you know it was really Joe?” she asked.

“Stop it!” He yelled sending a spray of drying tears and spit onto the table between them.“Stop trying to convince yourself I’m wrong! I am not wrong!”

Before she saw him actually move he was on his feet and the table was crashing into the wall behind her. Its cheap frame crumbled at the joints on contact with a wooden thunkrish leaving deep gashes in the drywall. The glass top broke in several large shards that burst into dozens of smaller, sharper pieces when they hit the floor.

“We got to, got to get out of here!” Suddenly animated, Steve moved toward their bedroom.

He stopped.

His daughter, hugging the stuffed panda to her thin chest, stood in the doorway. Her small silhouette cast an even smaller shadow into the hall from the bedroom ceiling light.

“Sweetie, go back to bed,” Martha prompted. “Close the door and go back to bed. Mommy will be right in.”

The child froze staring at her father’s face.

Steve looked at her, and then at his bedroom beyond her. She was in his way. A small obstacle between him and everything he needed to run away. Everything they needed, he corrected himself. Hidden money, clothes, and cell numbers with owed favors tied to them. All the things he needed right now. Martha again directed their daughter back to bed. Her words were unrushed, disarming, and silky. It was the voice Martha reserved for comforting the child whenever he smashed a glass or installed a new hole in a nearby wall during an argument. His voice inside his head pushed with a strange, unfamiliar vigor. Get your stuff NOW! Don’t stop for her. Suddenly, he remembered another voice. This was the voice of a good man competing with his own. This other man his girl would run to when she heard the work of his own anger. This other man never asked for anything other than the opportunity to use his vast power to help others. That other voice was pleading to him in his memory under the clamoring of his own words. (Run idiot! Push her aside! HIT HER!) Past a shattered jaw and through bloody gaps in a irreparable mouth (DON’T STOP FOR HER!) that other man asked to live simply because:

“…therez …more to do…”

The building suddenly shook without warning. Martha ran to her daughter. She was surprised and oddly comforted to see Steve did the same just as the windows shattered. Glass tore through the air like tiny drunk daggers. Several slivers struck Steve in the head as he placed himself between his family and the flying debris.

“Was that an explosion?” yelled Martha over din of creaking walls and a rising wail of fearful children and adults from the other apartments.

Steve raised his head. Small, warm lines drew themselves down the back of his head and into his collar. He said nothing. He was thinking about a meeting between a man in a suit and a murderous demi-god. One of them wasn’t going to walk away and the world was going to be left on its own to deal with the other.

Martha read his face. It occurred to her the sound wasn’t so much an explosion after all, but more like a door slamming shut.

Wednesday, February 13, 2013

I said do it… or else.

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As some of you may have heard, DC Comics kicked a hornet’s nest by hiring award winning science fiction writer, and Mormon, Orson Scott Card to pen a Superman tale in their upcoming Adventures of Superman digit-first series. The April debut of this non-continuity, on-line only series is getting lots and lots of press, but not the kind I’m sure DC was hoping for. Card is an outspoken supporter of a male-female only definition of marriage, and therefore has made comments over the years many in the homosexual community find very offensive. Card wrote an op-ed piece in the May 3rd, 2012 Rhino Times lifted heavily from on a few sites I read. It’s not an outrageously long piece so I’m going to link here and let YOU read the whole piece (and not choice selections) to decide for yourself about the content. The bottom line of the on-line petitions is to fire him. The general logic is his anti-homosexual beliefs rule him out from being even remotely connected to the iconic Man of Steel. A character I feel compelled to point out is an alien and 101% heterosexual.

What none of the several articles I read mentioned was Card’s time at Marvel penning Ultimate Iron Man. I searched for a boycott of Marvel from Card’s time there, but didn’t find any. Full disclosure, I read through five pages of Google Search results, found nothing beyond the One Million Mom’s boycott attempt at Marvel (because some characters are gay), got bored, and stopped. Why wasn’t Marvel hit with this? Let’s expand this further. Card’s best-selling series Ender’s Game is slated for movie release this November from Summit Entertainment (a subsidiary of Lions Gate). Harrison Ford is in it. Again, I found no mention of backlash. Maybe I missed it. But again I ask why DC? Is it because it’s Superman, one of the most recognizable figures to young and old alike in the world? I don’t have the answer on this one. I merely thought it was interesting. Maybe you can figure it out.

Anyway, I mention this story in order to pose a few questions whose cores apply well beyond this matter. Let’s begin. If Card’s employment at DC is terminated, will it encourage him to re-think his position? Is threatening to remove one’s ability to support his or her family a proper means of education or is it a form of bullying? Would firing him open DC to a lawsuit for religious discrimination? Devoted members of several religions might become, or at least feel, unwelcome at DC. If NOT supporting a particular political or societal idea is grounds for termination, or not getting a job in the first place, what has happened to Freedom of Speech? And has employment now become a matter of passing a litmus test? Is lying then OK if it keeps you in good standing with special interest groups on either side of an issue? How is this different from when entertainers and artists were blacklisted for their beliefs in the 1950’s? Can one be pro-gay marriage and still write a good Superman story that doesn’t require Jimmy Olsen to marry his doorman to save the earth? (No, Grant Morrison, you cannot use that idea.) And finally, isn’t the whole idea to hire quality creators who produce high quality work the fans like? I mean, comic book fans are genetically predisposed to complain, criticize, rip to shreds, over-think, argue, and just plain bitch. If they aren’t buying, it doesn’t matter what the creator supports because the creation will go away real fast. You can be pro-everything and still have a real short career if you suck at your job, especially in comics.

Look, if you and thousands of your friends want to complain loudly with well thought out points about Card or anything else THEN DO IT. That’s Freedom of Speech. Just don’t forget that Freedom of Speech also applies to unpopular ideas. It’s supposed to protect you and me. It’s supposed to keep people from being punished merely for holding an opinion unpopular to the rest of society. Card has a right to work and support his family, just as supporters of gay-marriage do. Let’s talk. Let’s debate. Let’s politely raise our voices in heated discussions, but let’s not make threats. Boycotts, like any tool designed to generate then exploit fear, end discussion. They are a way to twist arms. They make people afraid to speak and be themselves. They make organizations and individuals walk a very bland, paranoid, neutral path. They silence us all for fear of being the next target. And don’t we have enough of that already? I think we do and I hope you do as well. Or I’ll boycott you.

Saturday, February 9, 2013

Thoughts of a Visitor

My father hated winter. The first falling of white would send him into a bee’s dance of endless puttering, planning, and just plain annoyance. Happiness to him was looking over long rows of living green coaxed skyward by the steady push-pull beat of John Deere pistons. Ma once told me if I ever wanted to know what a painter without paint looked like I need only watch Pa when snow covered the ground. Some good did come from those mid-western winters, though. During one long stretch of dull, overcast days Pa gave me his dog-eared copy of The Old Man and the Sea. He read and reread that book for as long as I could remember, but it wasn’t until I read it and felt Hemingway’s sun on my skin that I understood why it called to him. I latched onto Hemingway instantly and he deserves much of the credit for my career in journalism. I sometimes wonder what my biological parents would have thought of seasons. Krypton had none. There is so much about them I’ll never know, but I like to think they would have liked spring. It’s nice to imagine them sharing something in common with Pa. Me? I’m my father’s son. Spring is the best time of year. Especially for flying.

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