Monday, July 20, 2015

Consumed by Zombies

The_Walking_Dead_Season_1_Meme_Rick_Hospital_Sign_DeadShed

Zombies have been crazy popular for a while now. If you’re reading this then there’s a very good chance you fall somewhere in the fandom horde. You’re kind of my proof of the first statement. (Thanks for the assist, by the way.) So have you asked yourself why are zombies, the living dead, walkers, shamblers, zed heads, crawlers, G’s, biters, etc. enjoy such popularity?

They aren’t sexy. Outside of fan fiction I don’t want to touch with a rotting ten-foot pole, of course. This is the internet age, after all. Sure, there are a few examples of romantic sexy-time in the genre. Warm Bodies was a notable example. Most of the other zombie films infused with a love-story involved ‘love doomed to fail’ like in Rec 3 or the very enjoyable German film Rammbock: Berlin Undead. Good stuff, yet not exactly the hormone infused material to fuel the hearts of teenaged girls and middle-aged women into parting with their money and panties. Sparkling vampires, anyone?

What about violence? Violence is popular. Word on the street is humans have been practicing it for a long time. There’s something to that idea we’ll swing back around to shortly, but no, it is not the deciding factor to explain the popularity of zombies. If gore alone was the magical ingredient then Hostel or Dead Again would have their own television series and children’s books. Gore is too easy.

Characters then? Strong, smart, likable characters must be a constant in the genre like the Northstar in the Heavens. No. No. And no. Most stories are filled with some or all of the usual suspects: the cop/ military/survivalist type, the thinker/scientist, the teenage lovebirds, the expendable Average Joe or Jane, the person with the “dark secret”, and the main characters that almost never die, or the sexy chick. The later comes packaged for whatever the popular look of the day is. Think of Linnea Quigley as Trash in Return of The Living Dead. She was wearing leg warmers. Still very popular today, said no one ever. Notable exceptions do exist, of course, such as in the writings of Max Brooks. World War Z and Recorded Outbreaks have smart and resourceful characters. I highly recommend the audio book for the all the well-known actors whose talents brought the undead book to life such as: Henry Rollins, Mark Hamill, and Alan Alda. The movie and book have little in common. So disappointing…

So, mulling over the list of attributes of sex, romance, violence, and strong characters that normally translate into popularity we find rare, isolated examples of each but nothing to really nail down why so many people spend so much time watching or playing fictional people fighting to stay un-eaten, un-consumed, and un-overrun by a tireless, mindless, adversary that cannot be reasoned with.

Or have we?

Zombies eat the living. Obvious, I know, but think about it. What if what makes zombies popular is what they do. They eat you alive. I once manage a large, well-stocked, and awesome video store. If you failed to buy a calendar, had no windows, and never left your basement you could tell the changing of the seasons by simply calling us and asking what movies were popular. Anyone who has ever worked in a video store will attest to how the season and holiday equaled the empty spaces on the shelves. Valentine’s Day moved all the Rom Coms. Halloween cleared out Horror. And so forth. But there are two other seasons: school finals and tax season. Months apart on the calendar and often decades distant measured by the age of the participants, both times of the year showed the same spike in rental activity. The college kids rented more Horror with a lean toward zombies just as the 9-5 working adults. This never changed in the seven years I managed at the store. Chatting with both old and young yielded the same feedback. They both felt overwhelming pressure. Forces were bearing down upon them that could not be reasoned with, that were seemingly everywhere, and that little by little consumed their lives, time, and energy. Sound familiar? Zombies are popular because they personify stress. Zombies are mindless, uncaring, unthinking dangers that eat you alive. Alone they can usually be handled with a high degree of success, but they are never truly alone. Think of all the things in your life, big and small, that drain you. Think about the stresses that pull you and take your time and attention, and therefore overwhelm you. Zombies do to the physical form what day to day life can do to us spiritually, emotionally, and financially. Our culture, whether it realizes it or not, is crying out for help because it feels like it is being eaten alive.

At least, that is how I see it.

Tuesday, July 14, 2015

The End of Days

 

Lo! It is the end of days…

…of our Kickstarter campaign!

29 hours and $124.00 to go. Very exciting. And by exciting I mean "AHHH!"

 

beaker

Sunday, July 12, 2015

The gap is closing!

Thank you to our new pledgers. Three days left in the campaign.

While I continue to beat the drum in the background I want to make sure nods are given to those who have directly and indirectly helped with the campaign. First, our pledgers. Some pledged for a specific piece, some for all, and some just to show support. So to our old and new friends in New York, Vermont, California, Hawaii, The UK, Florida, Louisiana, Maryland, Ohio, and other far flung places I say THANK YOU! I also want to recognize Dostie Bros. Frame Shop, Sequential Tart, and The Comic Depot for their promotional support. The internet is a big place so the more people shouting your name the better. THANK YOU!

Go here for our link >>>> Kickstarter <<<<

Scenes2

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AtoZombie2

Sunday, July 5, 2015

A Retinue of Reviews

The Haunting House was the first book Mark and I cobbled together. It was a one-shot piece done entirely on scratchboard (cool) that thematically was written to spur readers to think about oddities that a “haunted house” implies about the way reality seems to work. Practically speaking it was written so Mark and I met a horrible demise at the hands of supernatural entities. The Hungry Portraits were my favorite. I was eaten alive. Heh.

Haunting House has been reviewed a few times over the years so I thought I would gather the reviews I am aware of for a comparison, of sorts. Always interesting to see what I put into a story and what the reader takes out. If I find more I will add them. I know there are more out there. Let’s start

Sequential Tart: reviewer Anisa Brophy

The Haunting House is a black-and-white story about two developers exploring an old house that's rumored to be haunted before they level it. The previous owners, newlyweds, died soon after moving into it 40 years ago. The wife was accidentally burned alive before the husband hanged himself in his grief.
During their musings of the house's history, the question comes up of what happens to a haunted house after its destroyed. Where do the ghosts go? Do they stay at the site, or do they move on into the afterlife? Are they really attached to the place, or the event?
Author Sam Girdich, a history and philosophy buff, uses Nietzsche's theory of The Void to try and answer this question. "If you think yourself powerless, you avoid them because they are filled with evil and harm. If you think yourself able to act upon the world, they are no big thing."
However, both men quickly learn first-hand what happens to the ghosts as they get chased throughout the house by ghostly portraits, detached fingers, and incredibly freakish ghouls that inhabit the house.
Now for the fun part: Why I'm giving a good review of this book. First off, I come across very few comics that actually cite Nietzsche as a reference, or attempt to delve in the philosophy. It's refreshing to read an academic, as well as entertaining, book.
Secondly, the art is astounding for a story like this. The heavy, almost gritty lines artist Mark Gonyea uses in his technique reminds me of a gothic Clerks: The Animated Series. That's a good thing, trust me. The ways the characters and the scenery are drawn are neither overly complex, yet the scratchy lines and specks of ink perfectly make the atmosphere of this story.
There are a few downsides, though. The entire story is only 18-pages long, when it could easily be a 26-page story. When Girdich explains Nietzsche's theory of The Void, he doesn't fully explain it and clearly relate it to the context of the story. He could have spent a lot more time explaining the theory for those of us who didn't manage to get an A in philosophy in school. At least he gives us enough to understand the jist of it.
My other issue is the main question of the story, "What happens to ghosts after the building is destroyed?" and such is never really answered. Don't get me wrong, the chase sequence at the end of the book is really interesting, but there is no "after" addressed. No resolution to the "what-ifs" the book poses.
It's very open ended, which could be a good thing. Personally, I would love to see a second issue continuing this story, possibly wrapping up the "what-ifs" or even having a mini-series addressing the issue.
Girdich's ability to tell dark, thought-provoking stories matches incredibly well with Gonyea's equally noir art. This creative combo shouldn't waste any opportunities to do more projects like this together.

Sequential Tart: reviewer Rebecca Buchanan

The house is more than a century old. Locals have avoided it for decades. Now it is about to be torn down, a victim of urban development. But, before that happens, two friends decide to break into the house, take a few pictures for posterity, and ponder what exactly it means for a house to be "haunted." Can a place be evil? Does a traumatic event make things "stick" to a house? Do only the powerless and weak fear ghosts? Unfortunately, these two friends are about to find out just how powerless and weak they truly are in the face of something they cannot define or understand ....

I picked up The Haunting House at SDCC. The guys at the table were nice and it sounded like a fun, creepy story. Well, it is definitely that. Two smart guys who think they are smarter and better and stronger than the ignorant locals come to a very bad end. Hubris will get you every time. Consider this a cautionary tale.

I really like the artwork, too. It reminds me of woodblock prints; thick lines and solid areas of black give it that antique look.

Signal Bleed by Josh Bell (film and TV critic blog)

The Haunting House (Sam Girdich/Mark Gonyea, Strongarm Labs) Strongarm had a bunch of different books at their booth, and I asked Girdich to recommend one for me. Based on what I said I was interested in, he suggested this brief one-shot about a pair of friends investigating a haunted house. It proceeds along the lines of pretty much every haunted-house story ever, and the dialogue is a little heavy with exposition and philosophical musings. Gonyea's art, done entirely in scratchboard, has a nice creepy feel, though, and reminded me a little of the simple illustrations you might find in a children's book of ghost stories. This is a bit too intense for children, making it sort of balanced in an awkward place, but it's an interesting little experiment.

Beauty and the Beastmaster

This is a piece I wrote a few years back for Geek Speak Magazine. A very cool site, if I may say so. Check them out. I left in the editor’s notations in the piece and their ending tagline. The photos in the post are from a quick image search and mostly IMDB.



A few years back my comic collaborator Mark Gonyea and I exhibited at Wizard World Chicago. The Con was going well. The only black mark on the event was the stranglehold Coke held on the venue and our hotel’s vending machines. (I’m a Mountain Dew guy, by nature, and was more than willing to endure a four-mile round trip walk to the nearest retail temple that stocked my divine Ambrosia.) We arrived early on the final day of the show to walk amongst the exhibitors and make last minute purchase decisions. As it was early, I hopped in line to buy a coffee. I noted with fatigue-blunted senses a tall, blonde man in front of me in line. There was nothing outstanding about him, save instantly my brain told me I knew him. I asked my brain how it made this leap without seeing the man’s face. It replied it was working on it and hinted the coffee might help its efforts. The line advanced with mechanical precision and soon the tall man faced the coffee hawker.

“May I get two cups of coffee, please?” he asked in a pleasant tone.

His voice was familiar, too. It was too soon in the day for mysteries, so before my brain could cross-reference his voice I leaned over with the subtlety of a colonoscopy and looked him in the face.

Holy Crap! It’s Marc Singer!

Holy Crap! It’s still Marc Singer!

He looked at me, smiled, and reached for the first of the two cups of his order. Think fast!

“Mr. Singer, I have enjoyed your work for a long time. May I please buy your coffee?” I blurted.

Marc looked surprised for a moment before replying, “Really? Thanks!” [Marc Singer is the star of cult 1982 sword-and-sorcery epic The Beastmaster and its sequels, and he also starred as Mike Donovan in the original V - Ed.]


Before I could think of another point of banter, Marc started making small talk at a furious pace. He invited Mark and I back to his table in the autograph area to continue our chat and grant us a couple of free autographs to say thanks for the coffee. When we approached our destination he called down the line of tables to an attractive woman who was setting up for the day.

“Here’s your coffee, Erin.”


Neat! It’s Erin Gray!

Neat! It’s still Erin Gray!
 [Erin Gray starred as Colonel Deering in the 1979-81 TV series Buck Rogers in the 25th Century. - Ed.]
She casually walked over and took her coffee with a smile to us all.

“Erin,” said Marc. “These are my friends. Take care of them.”
She motioned for Mark and I to follow her back to her table, which we did like puppy dogs. She asked which photos we would like. We picked one out each and she signed them.

“That’ll be $20,” Erin said without an ounce of humor.

Somehow Marc’s words translated in Erin’s mind to, “Hot dog, my first sale of the day! I eat tonight!” What could we do? Without missing a beat we reached into our pockets, handed her our money -- that was $20 each, by the way -- and then thanked her with a smile for taking it. All the while she sipped on her hot, fresh, free coffee.

Mark and I walked back to Marc’s table and finished our conversation. It was very enjoyable. In fact, we chatted so long about comics, movies, art, writing, raising kids, and pop culture that we were twenty minutes late getting back to our table after the doors opened! We thanked Marc for his time and he did likewise to us. I don’t begrudge Erin Gray... much. She did take me by surprise, though. All I’ll say is that of the two autographs birthed by that encounter, only one hangs on my wall.
Beastmaster 1 Erin Gray 0

Sam Girdich is a writer of kick-ass comic books. Visit him, and artist Mark Gonyea, at their website StrongArmLabs.com.

Kickstarter Update

Hello everyone! Kickstarter update. It is 2/3’s over, 1/3 funded, and the final ten days are here. I believe in the quality and uniqueness of the work Mark and I put together so I am asking anyone wo has been on the fence or waiting until last the few days (which I know there are a few!) to pull the trigger and pledge or share our link. 

https://www.kickstarter.com/projects/1339844610/strongarm-labs-scenes

To all those we have heard from and have shown their support I give a hearty THANK YOU. You’re part of the reason we keep creating.

Sunday, June 21, 2015

Kickstarter project is GO!

 

SALkickstarterCOVER

We have an awesome Kickstarter project launched and I swallowed a bug and here’s the link below to see for yourself…

KICKSTARTER! HUZZAH!

 

AtoZombie2

Wednesday, June 17, 2015

SIX MONTHS OF INSURANCE SALES HELL

Chapter One
-THE END-

January 1997 ushered in a horrendously bad job decision. I had been looking to leave the mall retail management rut when a “friend” (notice the quotations marks) informed me that selling accident and life insurance was good money. Very good money, in fact, and it just so happened the company he worked for was hiring new sales reps. It had to be better than working mall hours and dealing with shoplifters, right? I applied, was hired, trained, and then set loose with a group of other noob sales reps to earn the money I kept hearing about.

And we lived happily ever after.

July 1997 rode into town with little money (good, bad or otherwise) to show after months of cold calls, literally knocking on doors, and using every company sanctioned half-truth sales pitch I could convince myself was not damning my eternal soul. My then fiancé/now wife and I were broke, and in the grip of a deep malaise. I was 30lbs. overweight, driving 300+ miles a week with no mileage or gas allotment. Every fourth week or so our team went out of town to work in different areas of Eastern New York. These trips, I was repeatedly told, generated more sales and more income because sales agents working away from the distractions of home could concentrate on making calls and selling. I was told this by several people. With a straight face. It was about this time I started noticing the worried looks on several of my co-worker’s faces when their own rent or mortgage was due.

I had reached my limit by then. I informed my manager I was leaving. Sales obviously wasn’t for me. He implored me to give it just one more month. If I still wanted to leave, he would not try to stop me. He would spend more time with me and help me turn my job and finances around. He asked if that sounded reasonable. Not wanting to feel I quit without a final try, I agreed. Perhaps I should have remembered my last out of town sales trip. I had $20 with which to feed myself for five days. I ate once a day at a grocery store salad bar, bought a soda every other day, and at the end of five days had fifty-six cents left to splurge on the motel’s Indian Jones pinball machine. The key was not pouring dressing on the salad before it was weighted at check out. Yeah. Perhaps I should have remembered that. At least I lost some weight.

(I later learned agents received a cash bonus for recruiting new people. I also discovered managers received a bonus for having a certain number of agents in the field. It had never occurred to me that a supervisor might use sales techniques on their own people. Fool me once, as the saying goes.)

So, two weeks later I am traveling to Long Island. It was a warm week, drunk with sun and blue sky. The drive down was quite enjoyable. The directions were clear and I found navigating through the city toward Mastic Beach was easy. Maybe this was the turning point I had been hoping for? I checked into the hotel finding most of my co-workers already there. They seemed agitated. I poked around and found the source was that the hotel didn’t provide free local phone calls. We would have to pay (1997 remember) for the 50-60 calls necessary to book sales appointments. That worked out to almost $30 worth of calls per day. Okay, maybe this week was going to be like all the others. Freeing a sigh of annoyance, I sought out my room and the hotel’s cable. My wife and I had canceled ours to save money a few months earlier. A couple episodes of classic Star Trek later our group got a call at the front desk from a nineteen-year-old agent. A thief stole his wallet when he stopped in Lake George while traveling down. That sucked. We told him just go home. He said it was too late for that because he wasn’t calling us from Lake George, but the New Jersey side of the George Washington Bridge. Um, what? He spent the last of his pocket money on phone cards to call us. He had no means of paying the bridge toll or buying more gas. He was stuck. Being the team players we were taught to be, we called our district manager who hadn’t arrived yet.

What the hell do you want me to do? He’s on his own, was the response.

Being the team players they were taught to be, the rest of the reps agreed that was an excellent plan of action. I was livid. When the agent called back some ten minutes later, I told him I was on my way. He asked if I could hurry because people kept pointing at him. One woman threw a piece of paper at him as she walked by. He was panicked enough that he wasn’t even sure of the motel’s name or how he got there. I jumped in my car and left.

The next 115 minutes are hard to describe. You see, the only directions he could offer me were, “I’m near NYC, I can see the GW Bridge to my left, and I may be in New Jersey.” I was only twenty-six myself. This was my first time in The City, as well. What I did have was a good idea of what the lights on the bridge looked like, as it was early evening, and what kind of car he drove. I quizzed him on the size, perspective, direction, and height of the lights compared to him. I got lost in Fort Lee for about thirty-minutes. Somehow ended up almost in in Hackensack. Almost ran out of gas (of course), but eventually my gut told me to turn down a back street using the bridge as a marker. And there he was. To this day I am not sure how, but I found him based on that mental picture in my mind. He was locked inside his red “LOOK AT ME!” sports car next to a motel's outdoor pay phone. Whether the small parking lot held more cars than garbage was debatable. The smells were...interesting. I exited my car, handed him $20 through his driver's window to pay the tolls, ordered him to follow me, and returned to my car.

We rolled about twelve feet toward the roadway when the world suddenly turned into swirling Christmas lights as four unmarked police cars seemingly teleported in front of us.

What the police saw was a young, white male in a red “LOOK AT ME!” sports car place several calls from a known drug/prostitute haven, then sit an hour or two before another young, white male drove up and gave him money. I cannot stress how absolutely clear the officers made it that we should stay in our cars, or how bright their spotlights were. I turned my car off as fast as I could, turned on my interior light, and placed my wrists on top of my steering wheel in the most ‘I am not a threat’ manner I could muster. The nineteen-year-old, however, decided the wiser course of action was to NOT turn his car off, to YELL Everything is okay! at the police officers, and to EXIT his car.

That’s when the guns came out to play.

Mentally, I was fuzzy at this point. I was scared, confused, and raging angry. How did this happen?! I pulled off a solo rescue mission that never should have happened, played 'find the human needle' in an urban haystack (and won), and now I am watching an idiot ask to be shot. Worse yet, the idiot could get me shot. The whole scene brought the term “long moment” into my understanding. Something sank into the idiot’s understanding too, because he finally did what he was told to do.

Slowly the guns disappeared.

The police grilled us separately for over maybe thirty minutes, no doubt making sure our stories matched and didn’t change. (Not that I was thinking that clearly at the time.) I made damn well sure all the sales materials on my back seat were in the face of everyone I spoke with, along with my anger at the person I was trying to help. Once the officers were satisfied, they laughed at the whole affair. They admitted they were fairly sure we were not completing a drug deal when we didn’t try to, “…smash into their cars and drive away.”, though what exactly we were doing needing vetting. They even took us on a little tour of all the dents and scrapes on their cruisers from people trying to bolt. They then gave us directions to get us directly to the bridge and sent us on our way.

Just like that, it was over.

When we returned to the hotel, not a single person asked me how it went. The district manager, now snug in his room, never thanked me for retrieving his valued team member. That was the final straw. We were granted a mileage allowance(!) for this trip, so when I received my $100, I determined to put it to good use. I spent the next five days attending the morning sales meeting, lip syncing the Go Team! song and dance, and wishing everyone a great day as we left to hit the field. At night, we would all meet to share stories about how the day went, exchange sale tips, and plan for the next day. For most, this meant buying beer. What I somehow failed to share at our gatherings was the fact that every day I drove around aimlessly for about two hours before heading to a Cinema 10 three exits down the Long Island Expressway. Yup, every day for a week I did nothing but go to the movies. I did take three hours out of my busy movie schedule on Wednesday to try to sell. Surprisingly, I moved some policies. In fact, I out sold some of the guys who went out and actually tried. Never underestimate the power of not giving a damn. But, 96% of the time, I parked my tush like a lazy mule in the only theater I had ever been to that served Mt. Dew. It was great. On our final day, after the free pizza and wings promised us at the beginning of the week, I told my shocked and shaken district manager to sod off and thanks for all the heartfelt concern towards the young agent I collected. I was done. I drove home the next morning and told Kathy the good news.

Credit must be given when due. I learned a lot in the homes of strangers during those months. I saw boredom and awful loneliness. I saw deplorable poverty. I met individuals who planned for nothing, cared for nothing, and blamed the world at the end of the day when they had nothing. I stomached the discomfort of sitting tight-lipped across from a father of three (maybe ten years my senior) who loudly exclaimed he didn’t care what happened to his family after he died while they were in the same room. Explaining a financial product when all you want to do is wrap your hands around a dirty, puffy throat and squeeze until your palms touch is a feeling time finds difficult to erode. I tried helping families manage the financial hardships of death when I didn’t know how to pay my own bills. I saw one family torn apart by stress and another saved when I told them of a life insurance policy no one knew existed. One elderly gentleman living in a trailer I thought was abandoned told me how the State took away his infirmed wife of over fifty-years because he could no longer take care of her. I think of him whenever I smell kerosene. Then there was the woman who let her pet pygmy goats drop piles of tiny meadow muffins all over her living room floor. All. Over.     

All of these are stories I might one day tell. We’ll see. It was a glorious end to a decidedly inglorious career. Career choices, ain’t they a hoot.

Pretty sure I met this kid.

Sunday, May 31, 2015

Goodbye AJ






An old friend recently posted a photo on FB that lead to a sad discovery. Meet AJ Confessore, aka C.C. Banana. I met AJ a number of years back when Mark and I first attended the NY Comic Con. Here was this friendly, odd fellow who used humor and an ever changing banana costume to score interviews with well-known artists, writers, actors, and musicians. We became Con acquaintances. We’d exchange emails, see what shows we’d both be at, and make sure to take a minutes to say hi and catch up. Over the years as I was able to attend fewer and fewer Cons we fell out of touch. I hadn’t thought about AJ for some time until I saw the photo. It was from a 2011 interview series he did for Midtown Comic at the NY Comic Con.

Cool, I thought. Let me look AJ up and see what he’s been up to and drop him a line.
 
He committed suicide in 2012.

What the hell?
 
It seems there was a series of events in his life that he felt he could not overcome. The monstrosity of life, as he saw it, was too much. I’m not going into the details. I read people tried to help him, and for that I am grateful. I know stuff happens in life. I know not every story has a happy ending, but I did not expect this. Who does, right?

In my mind there was this person walking around the earth (AJ aka C.C.) doing his own thing, only to learn that was completely wrong. Normally my mind would craft some lesson, some example of the value of keeping in contact, the importance of learning warning signs, or, I don’t know, SOMETHING. I got nothing. I’m just stunned. I don’t know what to do with this. I don’t even know if I am supposed to do something with this. I just don’t know. I keep wondering about all the other people whose path I’ve crossed, but that feels like living in the past. Maybe the lesson is that not everything has a lesson. People make choices. You. Me. All of us. Is that the lesson? Remembering we have choices? Hmm… I’ll ponder that.

Goodbye, AJ. I liked you. You always had a smile, a hardy handshake, and a quick quip at the ready. I will miss you.

Saturday, May 9, 2015

“But had the walls eyes to pluck out….”

 

new

Some of you are familiar with our story The Haunting House. Put simply, two men enter a purported haunted house only find out the hard and final way the reports are correct. Thematically I wrote it to try to spur the reader into thinking what it means about the nature of the universe and reality if a haunted house can exist. (Frightening stuff if you carry the logic out fully, but I’ll elaborate more on that in a different post.)

What very few are aware of is that this tale is a small part of a much larger, more serious and scary story I am working into a novel.

Enjoy this tiny sneak peak into the troubled background of The House. They set the tone for the novel.

PIECES OF WHAT THE HOUSE HAS SEEN

MR. & MRS. BRINKERHOFF

Robert Brinkerhoff was a socially awkward, nervous young man who enjoyed the quiet and predictable life of a banker. Ruth was a vivacious flapper from a small Westchester County town drawn to New York City during the Roaring Twenties. The unlikely pair met at a Petting Party that the timid professional was tricked into attending by coworkers. Robert was too shy to talk to any of the women present, which was exactly what caught Ruth’s eye. She found his discomfort charming. She walked straight up to him, said Hello, and stole his heart. They quickly fell in storybook love and spent the next few years in Manhattan before moving Upstate to start a family. They thought it was a stroke of luck to find such a large home at such a low cost, even for Depression Era prices. The real estate broker never mentioned any of the local legends and mysteries surrounding the house. They planned and prepped to spend the rest of theirs days in each other’s arms.

Three weeks later they were both dead.

 

The WARRENDER family

The Warrenders built the house in the mid 1850’s, but they weren’t the first to live on the land. The grounds had a long history, a fact Mrs. Warrender hated. Mr. Warrender in his typical patient manner explained the practicality of tearing down the large, pre-existing colonial and re-using it in the new construction. He also explained with much logic why the old barn should remain untouched. She listened but heard none of it. She clutched a life-long list of hatreds, miscarriages of justice, and perceived slights close to her heart like a rosary. She despised the older and unsophisticated Mr. Warrender. Much can be overlooked for security she told herself again and again during their lavish wedding ceremony some years earlier. She birthed three children who were all taught to call her mother when old enough to speak. The single light in her life was William Abbott, her husband’s handsome business partner. She loved him fiercely, though he never knew nor suspected. His Sundays visits, especially when Mrs. Abbott could not join them, made life tolerable. Then one day Mr. Warrender, Mr. Abbott, and group of local men went hunting for deer in the nearby woods. Mr. Abbott never returned. It was a terrible accident, all the men agreed. Mr. Abbott was careless and walked in front of Mr. Warrender’s rifle at the exact moment he fired. An accident? she thought late that night How? and more importantly Why him? She rolled the question over and over in her mind looking for an answer as her husband lay sobbing in his room next to her’s. A very small, very clever voice answered her. The next day she searched for a title in their library. She had argued against the books (Mr. Warrender insisted the children needed them) but the voice reminded her of a story that made her, silently and for the first time, thank her husband. The book was titled Hamlet. Mr. Warrender was found in the root cellar two months later. Mrs. Warrender dutifully wiped the tears from her children’s eyes at the funeral. The following years were the most peaceful of her life. Then one day the little voice came back. Go away she told it. I don’t need you anymore. It laughed in her ear. At night it crawled into bed with her and reminded her of the list. She ignored it and told herself it wasn’t real. And yet. Doors opened by themselves. Floors creaked. The servants whispered of a dark shape hiding in the library. The voice reminded her it of its good council. It then pointed out how much her two youngest, Charles and Edward, looked, acted, sounded, and even smelled like their father. Mrs. Warrender had to agree. Both were dead within six months. Only her eldest, George, whom she thought looked a bit like William, was left alive. She would make sure nothing happened to him. The year was 1860. 1861 came and her eldest died with the eldest and youngest of a nation torn apart. One day the servants woke to find the front door open and Mrs. Warrender gone. Her body was never found. In time the town folk came to agree poor Mrs. Warrender had succumbed to despair and a broken spirit.

In a way, they were right.