Sunday, February 22, 2015

When Superman fought the KKK

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Every now and again I stumble onto a person or fact I cannot believe I did not know before. It is always an awkward moment when the realization slaps the old brain. The sensation is equal parts indignant shock and little kid yelling, “AWESOME!” I was recently skipping through cable channels when I landed on the last minutes of a program on the American Hero Channel entitled How Superman Defeated the KKK.
“Excuse the hades out of me but what the what?!”
I watched its last seven minutes baffled by my complete lack of knowledge on the show’s subject. How could I NOT know the first widespread public attack on the KKK involved The Man of Steel? More importantly, how had the mere mortal with Courage of Steel behind Big Blue’s actions, Mr. Stetson Kennedy, escaped me? I asked around to gauge if I alone was unaware of this historical event. I was not. In fact, no one on the mental list I quickly made of peers who might know did. Time to fix that.

Using popular media to expose a problem and influence the general public is second nature in our Connected Age. Twitter that protest! Blog that injustice! Record and upload that cute kitten falling asleep! That’s today. In the 1940’s this was still a radically new idea reserved mostly for print, but a growing electric giant was poised to share that stage The 1940 US census, for example, estimated that 82% of all households had a radio. This was the heyday President Roosevelt’s Fireside Chats, the Kraft (yes, that Kraft) Music Hall variety show, The Jack Benny Program and a host of other shows featuring everything from live radio drama to soap operas on NBC, ABC, and CBS among others. The later got a taste of the power of its medium a few years prior with Orson Wells’ infamous War of the Worlds broadcast. It was also a time when Superman filled fifteen minutes a day in the lives of hundreds of thousands of children and adults thanks to the fine people at Kellogg’s.

Enter Stetson Kennedy. He was a celebrated writer and collector of southern folklore who by 1942 (age 25 I think) decided to apply his talent for observation and data collection to his interest in human rights and the continued discrimination against African Americans in the south. Here’s where he sets the bar for commitment. He decided on his own to infiltrate the then powerful KKK. For almost three years he attended meetings, rallies, and gained the trust of members of this very secretive group. Secrecy is a powerful tool and weapon. No one outside the organization knew if the local sheriff, doctor, or school teacher was a Clan member, and that created a parlaying fear for its victims. Whom could you trust? Whom could you turn to? Stetson made this secrecy his target. By 1946 he had cataloged names, practices, ritual origins, passwords, discarded paperwork and financial records, or anything else he could use to dispel the Clan’s mystique and shed light on their operations. He took the information and contacted several people who could use it, including the writers of the daily Superman radio drama. The result was a sixteen episode story arc called the Clan of the Fiery Cross. Adults listened and talked openly about the Clan as never before while children reduced them to a cheap comic book villain. The Clan protested the show and called for a boycott of Kellogg’s. Kellogg’s refused to pull their support. The KKK lost its national charter and never fully recovered. I am listening to it now and it is quite amazing.

Stetson’s life, or even this one segment in it, is far larger than the confines of a blog. I am so very tempted to add much more and fill in details like how he infiltrated them, stayed hidden, was eventually forced to flee to live a short time in France where he met Jean-Paul Sartre, and all the work he did for the rest of his long life. Clan members sent this man death threats until his passing at age 94. Think about that.

Some topics are too large for a blog and this is one of them. You need to research this. You need to delve into his life and make your own discoveries, conclusions, and, “wow” moments. He was not a perfect human. He did not work alone, but he did what he set out to do. He made a decision and followed through with it. I for one am glad he did.

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Click on the YouTube link above to start listening for yourself!

Sources: My research was admittedly quick because I wanted to learn as much as I could as quickly in a short time knowing I will go back at my leisure. In no particular order I read articles on sites on Wikipedia, The New York Times, Stetson Kennedy.com, Dangerous minds.net, mentalfloss.com, discovery.com, and census.gov.

In the short term I plan on watching Drunk History’s episode on YouTube and the full American Heroes Channel program.

Wednesday, February 4, 2015

Commuting Rant

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Dear People With Whom I Share the Northway,

I hope this letter finds you well. I write to bring to your attention a pattern of behavior that has become quite troubling. I shall explain myself using with an example of comparison. ‘A leaf falls from a tree.’ Common or Uncommon? “Common”, I hear you say. Excellent. Try this one. ‘A unicorn walks into a self-service car wash for a quick spray down.’ Common or Uncommon? “Uncommon”, you reply with a dry chortle. Here’s a tricky one. ‘A car gets pulled over on the Northway.’ Common or Uncommon? Tough one, I know, so I’ll answer for you: Common. Here’s another fact you might not be aware of: there are cars behind you on the Northway. Slowing down to inspect a presumed lawbreaker like you were just made a Junior Trooper for a Day dusting for prints at a murder scene has a cascade effect. By all means move to the next lane and measure your speed to ensure the safety of the officer and those around you, but when you slowdown to a crawl you force the vehicles behind you to match your crawl. This in turn births more Junior Troopers for a Day who are compelled to quality control the crime scene for something you might have missed. This causes a huge delay on a road built for unimpeded travel. You can see the problem, yes?

And I understand the flashing lights are a distraction in and of themselves. Popping, vibrant colors crafted to capture your attention are hard to ignore; so much like the pretty, shining objects around us in our youth when the world was fresh and full of potential. You must resist these sirens of illumination. Stare at them too long and you risk falling into a cycle of reminisces and self-reflection over how you have spent the days since your youth. The Northway is no place for leisurely pondering what went wrong in your life. I know this because it is exactly what I do while I try to figure out why everyone is moving so damn slow…

 

 

* Found the above photo on several meme pages. No idea who made it. Sorry, person who made it. I tried to give you credit.

Thursday, January 22, 2015

Wondering About Wonder Woman

 

Warner Brothers and DC are trying hard to make up for lost time and a much larger quality gap regarding the big screen adaptations of their characters. High hopes and MILLION$ of dollars are hanging on next year’s Batman V Superman: Dawn of Justice film. A large chunk of the hype is not around the titular heroes however, but for a certain amazon whose fans for years have yearned to see in a movie. The portrayal of Wonder Woman will make or break this film for many. Me? I just want a GOOD MOVIE. Entertain me while keeping the story’s internal logic consistent and fleshing out solid characters and I will hand over my money. In that spirit I given you one of several openings I envision for the announced 2017 release of the Wonder Woman film. Enjoy!

Wonder Woman

by Sam Girdich

Fade In:

EXT. A LARGE CITY PARK ON A BRIGHT, SUNNY FALL AFTERNOON. A SERIES OF CUTS:

We see scenes of people, but sometimes the view becomes blurry. Couples read books, listen to music while sunning, or text who knows who while completely NOT interacting with the person right next to them. Parents play with children. Elderly couples walk hand in hand. The view finally becomes completely blurry.

CUT TO:

The shot changes to a very old man (ARTY). He is holding his thick glasses in one hand while rubbing his blue eyes with his other. His cane leans against his bench. We were watching the park and its users through his eyes. He is dressed in clean but old and slightly too large clothes showing he has had, and worn, these items for some time. With his glasses returned to his face he continues people watching. We now watch him watching others. A pattern emerges. He is watching couples or families while he sits all alone. He absentmindedly plays with his wedding ring the entire time but that action is NOT focused on. Let the Audience notice it or not. A tall person walks past him blocking his view for an instant. His attention captured, he turns toward the person.

CUT TO:

It is a woman. She is very tall, confident, and sporting long black hair. He watches her with some interest as she walks away without looking back. She looks familiar. She’s gone in a few seconds.

SFX:

Thud tink

CUT TO:

Arty looks down at the sound. A German, WWII era hand grenade (a potato masher) has just landed at his feet. No time to react. IT EXPLODES!

CUT TO:

The flash and bang pass, but the smoke does not. Someone in the smoke is coughing. A man screams in pain somewhere off screen. Suddenly a young US soldier circa WW II runs into view thinning the smoke. We are now in a dark forest in Germany. The solider is wearing a mobile communication pack. He drops behind a tree as gun fire and more explosions rock the area around him. Panicking he pulls his pack off and reaches for the receiver.

CUT TO CLOSE UP: The unit is damaged. The wires to the hand piece are split.

CUT TO:

He immediately sets to trying to repair the wires. He bites at the thick wire coating to expose a new length of wire. The explosions are getting louder. Soldiers run past him. He twists the two pieces of exposed wire together bridging the gap. A new mechanical sound reaches his ears.

CUT TO:

THE OPPOSITE SIDE OF THE TREE IS BEHIND

He slowly peaks around the tree.

CUT TO:

Arty’s POV. We see he is only yards in the forest. German tanks approach the tree line. He retreats behind the tree and tries the unit. Bullets fly past him.

CUT TO:

Arty makes a pitched plea.

ARTY:

Charlie Tango Echo. Repeat. Charlie Tango Echo. The Germans are pushing north toward the Luxembourg border. Repeat. This is Charlie Echo Tango. We are in full retreat requesting air support.

SFX: static

SFX:

KABOOM (tank shell lands nearby)

CUT TO:

Arty is hurled through the air. He lands on his own equipment.

CUT TO. OVERHEAD VIEW:

Arty is dazed and bleeding badly from his ears and nose. Several seconds pass. A large, blurry figure leans over him. He reaches for his gun half unconscious. A woman’s dirty, blood stained effortlessly hand pushes his arm down.

DIANA (VO)

Don’t move.

CUT TO. SIDE VIEW.

Diana inspects his injuries. Arty’s panicked eyes watch her every move.

DIANA

You are badly wounded and will likely die. (She speaks calmly and directly.)

Close your eyes. Find what peace you can. I will hold off the Germans while your men regroup.

CUT TO:

Arty stares, gasping for air, at this impossible person who just pronounced his death. She looks closer at him. He looks very young.

DIANA

Close your eyes. Think of your home.

CUT TO: ARTY’S POV

She stands and walks off. She was carrying a bloody sword in her other hand the entire time. She is dressed for battle. Arty watches her transfixed. She suddenly runs off toward the Germans far faster than any human can run. He follows her path, his life still draining. German soldiers fire at her. She blocks with her bracers easily deflecting some back toward the soldiers. She raises her sword and dives into them.

CUT TO: OVERHEAD VIEW

The view switches to Arty’s face. We see the shock in his eyes match the sound of her battle cries and screams of the Germans. She is literally tearing through them and we see it reflected in his face.

SFX

Screams and rending metal. (She can tear apart tanks, lest we forget.)

He looks away and skyward.

CUT TO: ARTY’S POV

It is a clear blue day. Blue just like his eyes. The sounds are fading, calming as his eyes close.

CUT TO: ARTY’S POV. MODERN DAY.

He blinks his eyes open. Several people are standing over him discussing what to do while one person calls 911.

SFX

Crowd words: Don’t move him. What happened? Don’t know. Heart attack? How should I know? Don’t move him.

Excuse me (VO)

CUT TO:

The crowd parts allowing the same woman Arty was watching to approach. It is Diana in civilian clothes. She looks him over and stops at his eyes. They look at each other for a second. She smiles.

DIANA

You can get up.

CUT TO:

She easily but carefully helps Arty back to his feet. A siren wails in the background. The bystanders walk away. She helps him back onto the bench.

ARTY

Where… have you been?

DIANA

I had to leave.

But I am back now.

CUT TO: CLOSE UP ON ARTY’S HANDS. THEY ARE SHAKING. SOMETHING IS VERY WRONG WITH HIM.

ARTY

Stay with me this time?

DIANA

You have my word.

FADE OUT

 

Is this fan fiction? Honestly, I have no idea. I don’t read her book, though I have sampled it over the years. I simply haven’t found a writer (yet) who brings that something to the character that hooks me. It is the same reason I don’t read Green Lantern. Both are awesome, long-lived and well-loved characters I’d like to read but don’t. I never read Daredevil, for example, until I found Ann Nocenti’s run. She brought a something to the book that blew me away. Maybe it is the lack of finding that something? If I know me, and I do, then I may be on to something there. I want more ‘Ann Nocenti moments’ in my comic reading life and Diana is one of several characters I want to experience that with. To me, she is dichotomy in motion. The most obvious being the warrior archetype and the healer archetype if I may fax philosophic. There are others, as well. In other words, she has conflicting natures within her (like you and I) that could be used to examine what it means to be human. Let me stop now before I re-hash the millions of words that have been spilled on the psychology of literary characters. I’m just saying I’ve always thought there was more to her character and if I can’t find what I am looking for then I will create it.

Looks like I answered my own question.

Wednesday, January 14, 2015

This Interview Would Have Been Bullshit

HAD Matt Page agreed to an interview, this would have been the format. I sent Matt a couple of requests via YouTube and so far never haven’t back. No prob! I know the folks I hope to interview (like Tsoukalos) are busy and must pick and choose how they spend their time. I get that fact and accept it 100%. So enjoy the following Once and Future Interview and insert your own answers after you check out Matt’s work. It is very funny and very well made. Enjoy!  


Matt,
Thank you in advance for taking the time to read my email.
My name is Sam Girdich. I am a writer, life-long martial artist, and co-founder of the sequential art & graphic design project Strongarm Labs. I would love to interview you for my blog!

I understand time your time is valuable so my interview format is designed to be quick and easy. I pose three main questions with one follow-up question each if clarification is warranted. And that’s it! I do not edit your replies in any way. Not a word is touched. I send you a full copy of the interview pre-posting so you see exactly what the readers will read and give you the final word to publish it or not. My goal simply is to have fun and provide an avenue for myself and others to learn something new.

Before you read your three questions below, I invite you to visit my blog Lab Work to peruse my posts and writings, as well as our Strongarm Labs page for some of our work. I want you to know who I am and how I think so you know you can be comfortable having your name on my site. I’ll wait here while you go check me out…

You’re back! Excellent. Here we go. I made these two images for the intro.

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In the early winter of 2013 I was wandering around YouTube when I stumbled into a red gi wearing, mustached martial arts instructor named Master Ken. He was proclaiming loudly -and in stunning detail- that every form of martial arts in the world except his own Ameri-Do-Te style was unequivocally, “Bullshit!” I was hooked. More than hooked, I was impressed and laughing so hard I took a two-day break from Master Ken and his students. No joke.

My new favorite instructor is the creation of actor/writer Matt Page, who also stars as Master Ken in the hit YouTube comedy web series Enter the Dojo. Now in its third season, Enter the Dojo is a mockumentary following Master Ken and his oddball students in his New Mexico dojo. Imagine the irreverent, character driven comedy of The Office and drop it into a martial arts school. Matt also delights viewers with thick, frothy bursts of instruction in his Master Ken’s Privates videos plus much, much more.
Enter the Dojo is produced through Riffraff New Media, a multimedia production company co-founded by Matt. Click on the link and check out samples of their work. You’ll recognize a familiar setting if you are a fan of the show. Matt has a long history of acting and is himself an accomplished martial artist in Kenpo karate with two black belts.
Enough intro. Let’s talk to Matt!

1. Thank you again for your time, Matt. Tell us about the origin of the series and what was it about the concept that convinced you it warranted your time and resources.

2. Enter the Dojo premieres as a web series in August 2011 and by 2014 you are roasting martial arts legends and giving seminars in the UK. That speaks to the quality of the series’ acting and writing, but was it planned? In other words, did you early on envision the possibility of expanding the production to these venues or did it grow organically?

3. How has the success of the series affected your acting career?

Sunday, October 19, 2014

Minimalist Aesop's Fables

The first book I can remember sitting down and reading of my own free will was a hardcover collection of Aesop's Fables. It was probably the illustrations that drew (no pun intended) me to the book to begin with.

I doubt I understood a lot of the stories but there was one that I got. The Crow and the Pitcher. That's the one where a thirsty crow keeps dropping pebbles into a pitcher in order to raise the water enough so it can get a drink. For some reason that one stuck in my brain.

Take on your problems one pebble at a time. It's helped a lot over the years to keep a concept like that in my mind. It's also been on my mind a lot lately that it's a lesson I need to learn again every so often.

This time around, I decided to put my own interpretation down on paper (or on screen would be more accurate these days).

To date, I've done eight different Aesop Fables minimalist posters. I'm sure do more eventually, but for now, it's eight. Each poster is a different fable in a nine panel narrative (as well as the text from the fable).

You can see all 8 here. I'm doing another kickstarter in the hopes that I be able to print a run of all 8 fable posters.

If you like them, you can help make that happen. I'd really appreciate it!

-Mark

https://www.kickstarter.com/projects/markgonyea/aesops-fables-illustrated-posters

Wednesday, October 8, 2014

Here’s to hope!

 

A month back I mentioned I am trying to secure new interviews for the blog. Well, it appears I might have struck out in my attempt to interview Giorgio Tsoukalos of Ancient Aliens fame, though I hope I am wrong. I haven’t heard back from him yet. I am not giving up hope! He’s a busy guy and he must get lots and lots of emails.

I enjoyed penning the query email and the interview questions so I thought maybe you’d enjoy reading what I sent him. Raise a glass, gentle reader, to the once and future interview!

Giorgio,

Thank you in advance for taking the time to read my email.

My name is Sam Girdich. I am a writer, history & science buff, and co-founder of the sequential art/graphic novel project Strongarm Labs.

I would like to interview you!

I understand time your time is valuable so my interview format is designed to be quick and easy. I pose three main questions with one follow-up question each if clarification is warranted. And that’s it! I do not edit your replies in any way. Not a word is touched. I will send you a full copy of the interview pre-posting so you see exactly what the readers will read and give you the final word to publish it or not. My goal simply is to have fun and provide an avenue for myself and others to learn something new.

Before you read your three questions below, I invite you to visit my blog Lab Work to sample my posts and other interviews, as well as the Strongarm Labs page. Heck, Google or Facebook me if you want. I want you to know who I am and how I think so you know you can be comfortable having your name on my site.

I’ll wait here while you go check me out.

You’re back! Excellent.

Here is your intro, interview questions, and blog draft:

Strongarm Interview #4

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(Hey! That’s me!)

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(Giorgio is a better dresser than I.)

International traveler, speaker, and researcher Giorgio Tsoukalos is best known as a contributor and consulting producer of H2’s Ancient Aliens series as well as starring in his new H2 series In Search of Aliens. He is a proponent of the Ancient Astronaut or Paleo-SETI theory of history. Put simply, the theory holds early human development shows signs of unexplained biological and/or intellectual leaps, improbable similarities between cultures separated by vast distances, and anomalous artifacts that could be explained by the intervention of non-terrestrial, non-human agencies misinterpreted as supernatural beings.  Torch bearer of internationally bestselling author/investigator Erik Von Daniken, Giorgio is the Director of von Daniken's Ancient Alien Society based in Switzerland. He owns and maintains www.legendarytimes.com. He currently resides in California, USA.  (In the final draft I will link to the aforementioned sites.)

Before we begin let me state upfront what I think of the general concept of the Ancient Astronaut theory: it is possible. Given our current estimate of 13.8 billion years for the age of the Universe – which actually is another way of saying the age of Time if you think about it – and the growing number of confirmed planets (1,815) our fledgling instruments have already detected it seems unlikely (though not impossible) we are the only life that is, was, or will be. Couple this with how Humans behave and you have a legitimate chance that a sufficiently advanced civilization -if its psychology is remotely similar to ours- would go door-to-door across the Cosmos poking under rocks and occasionally messing with the locals. Do you truly think Humans would do no less given the opportunity? We’re explorers! We’re curious! Put a big red button in front of us and no matter how many warning labels you slap on it, we are GOING TO PUSH IT. For good or bad we are our best proof of possibility.

Of course possible does not mean likely. The Paleo-SETI theory is a theory. But as such, it must be debated with an open mind with the known facts and a willingness to incorporate new facts and discard disproven ones. A healthy skepticism of the old and new is paramount in any field of study. History, my lifelong field of interest, is constantly being re-written! Never should the prior generation’s dogmas be accepted as the final word.

Question 1. The Ancient Astronaut theory is criticized by some purely on the principal it robs humanity of some of its creative spark; as if to say without some outside influence we as a species are incapable of intellectual leaps, or at least less capable of them then we like to think. What is your reply to this line of thought and where in your opinion would humanity be without the extraterrestrial influences you posit?

Question 2. Is there a peer review process in the Paleo-SETI field? Mainstream academia routinely uses peer-to-peer review of findings to sift out erroneous data, flawed theories, or weed out frauds –which happen in mainstream academic institutions like any other field despite the impression to the contrary. If not, why and how might the field be affected by such a practice?

Question 3.  If granted unlimited resources, into which one spot on Earth would you pour your time and energy investigating?  Why this spot? Whom would you bring with you, if anyone, and what would you do there?

I know you are busy, so I really appreciate your time. Please let me if we can work together! Having fully read works by von Daniken, Hancock, Vallee, Hoagland, Strieber, Fort and others I have lots of questions I would love to ask you in a future interview.

Again, thanks!

Sam

Monday, September 22, 2014

The Last One to One Hundred!

The two things I've loved since I could hold a pencil have been comics and graphic design. The idea for One to One Hundred was simple, combine design with numbers to create a unique, artistic poster. The result was far from simple and I continued with poster after poster. Each one focusing on a different design element. Shapes, Circles, Lines, Overlaps, Triangles and more!

After 4 years, 10 posters and 1000 different designs I've finally finished the series. I'd really love it if you could take 30 seconds to watch the intro to my Kickstarter video about the culmination of this project. I'm hoping you'll be impressed with the amount of time and effort that have gone into it (most of the posters have taken well over 100 hours to complete and a few are nearly 200). 


https://www.kickstarter.com/projects/markgonyea/the-last-one-0

Thanks for your support!
 -Mark (the far more silent half of Strongarm Labs)


Sunday, September 21, 2014

Thank You

 

thank-you

Yes, you!

Thank you for taking the time to read my words and share them with your family and friends. I find value in what I write and the subjects I choose, but that doesn’t mean I assume they hold value for others. So, when my blog stats show readers are stopping in from circles far beyond those of my friends and associates, I am stunned and more than a little curious as to what people in distant lands make of my ideas. What does a reader in Iran take away from the iVon Daniken post that a reader in China might not or visa-versa? Do Star Wars fans in Italy and Russia find the same humor in Sand Jerks - Or How I Learned to Stop Worrying and Hate Tusken Raiders. What do readers in Germany or Romania make of my short stories like The Death of Joe Average or Knight’s Rider? These are all questions I hope to one day have the answers to.

Until then, to the local folks I know and love and the folks far away I haven’t yet had the pleasure of meeting:

Thank you! Спасибо! Danke! Takk! Tack!

Teşekkür ederim! Dziękujemy! תודה!

Vă mulțumim! Grazie! 谢谢!Gracias! شكرا!

Dank je wel! Merci! ありがとうございます!

Saturday, September 6, 2014

The NAKED truth about internet privacy.

Privacy concerns in the (NUDE) internet age are making the (TOPLESS) news rounds again as Jennifer Lawrence (NUDE) and Kate (NAKED) Upton fell victim to a hacker who posted private (LEAKED NUDE) images online. Computers sit on our tables and smart phones rest in our (HACKED NAKED PHOTOS) pockets seemingly alone and isolated, but they are really bright islands (NUDES POSTED ONLINE) on a vast ocean that sometimes attract pirates. Our (STOLEN PHOTOS) devices are anchored to the Web via pathways moving in BOTH directions. Perhaps this latest (FEMALE CELEBRITIES EXPOSED) breech will teach us that privacy is not private when data is involved so we must treat (NAKED PHOTOGRAPHS) it as such, but likely not. We still haven’t got it into our (NUDE PICS) head that computers separated by continents functionally share the exact same space. There is no here or there in cyberspace. I think that is the lesson here, but I can’t help think the media (NUDE PHOTOS LEAKED ONLINE) headlines are trying to get me to think (NUDE) and search (NUDE) about something else.

All (WORDS) used were lifted from REAL HEADLINES on multiple NEWS sites. UNFORTUNATELY.

Wednesday, August 27, 2014

The Zombie Alphabet


A is for Appetite awoken by death
B is for Bat swung to save your last breath
C is for Corpse clawing at your back door
D is for Duct Tape used to even the score
E is for Electricity lost to discord
F is for Family hidden far from the horde
G is for Grave that lost its tight grip
H is for Headshot fired hot from the hip
I is for infection that spreads like the wind
J is for Jail keeps them out but you it keeps in
K is for Kindness not lost in the fray
L is for Lure drawing zombies away
M is for Military down but not out
N is for Nails hammered to keep dead things out
O is for Outbreaks spreading too fast to cope
P is for Preppers still stocked-up on hope
Q is for Quiver emptied in vain
R is for Rest to try to stay sane
S is for Salvation just out of your reach
T is for The Turned crawling up on the beach
U is for Underground forced to flee to in despair
V is for Victim who was caught unaware
W is for Walkers whose origins are unclear
X is for X-Mas has been cancelled this year
Y is for You choosing not fear, but to act
Z is for Zombie once fiction now fact
 



This work is available as a 12 x 16 poster on Etsy. The perfect gift for young children just learning to read! Here's the link = Etsy